JACK THE GIANT SLAYER:  Watch It At Home – No Giants Here It’s been a dozen years since moviegoers took up residence in Middle Earth with the opening of the first Lord of the Rings film, and since the multi-billion dollar success of that franchise, Hollywood has refused to let us leave.  Apart from […]

  A week at the Toronto Film Festival added up to 24 screenings–a decent pace, but not an outstanding one.  Blame some vagaries of the festival’s scheduling, and a baseline decision that Midnight Madness was too much midnight and maybe even too much madness.  The potential awards contenders I wasn’t able to get to included […]

    THE VOW:  Not Even For Free – Forget About It   This year has brought us a far-fetched, but ultimately moving and deeply romantic story about a couple who have finally gotten together and married after a great deal of turmoil and who then face their greatest challenge of all:  a fluke accident […]

      ACT OF VALOR:  Watch It At Home –  Fast Forward When They’re Not Shooting   If there were a genuine national military crisis, and a small group of expert soldiers were needed to protect the interests of the country, would you want George Clooney or Brad Pitt behind the triggers of those […]

  As I was saying… THE HOBBIT: THE DESOLATION OF SMAUG:  Worth A Ticket – The Long Road Continues, But This Time On A Better Path Jumping at once to the most pressing matter–which is more than its trilogy often does–Peter Jackson’s THE HOBBIT: THE DESOLATION OF SMAUG is considerably more enjoyable than last year’s […]

  OLDBOY:  Watch It At Home – Spike Lee’s Graphic Remake Falls Flat In the course of his career, Spike Lee has made some violent movies, but he’s never gotten off on the bloodshed; he’s not a rapturous pulpist, like Quentin Tarantino or Brian DePalma in his prime.  To remake Chan-Wook Park’s cult classic OLDBOY, […]

  2012 was, in the end, a very good year for movies–or a a good half-year, more accurately.  With the studios continuing to load their best efforts into the festival- and awards-heavy fall and winter part of the calendar, not a single one of the Top 10 below opened before July, and only 3 before […]

  THE GRAND BUDAPEST HOTEL:  Worth A Ticket – Wes Anderson’s Latest Fancy Box Has Something Inside Where has the “Academy” 1.37:1 screen aspect ratio been all of Wes Anderson’s life?  One of Anderson’s visual motifs (some would say “fetishes”) is to photograph his actors enclosed in windows, doorways, or other pieces of production design, […]