SAVAGES:  Watch It At Home – Great Book, OK Movie Don Winslow’s novel SAVAGES is one of the extraordinary reads of recent years.  The plot may sound unremarkable–a mini-war is waged between a couple of Orange County drug dealers and a Mexican cartel–but the words “gripping” and “page-turning” don’t do justice to Winslow’s prose, […]

  THIS IS WHERE I LEAVE YOU (Warners) – Opens September 19 – Worth A Ticket Jonathan Tropper’s very successful day job is writing seriocomic novels about families and romance that are distinguished by their male protagonists–the ground he trods is similar to Nick Hornby’s, but without quite matching Hornby’s freshness of approach or wit.  […]

    FRIENDS WITH KIDS:  Worth A Ticket – Sitcom, In A Good Way   We live in a pop culture where the recent Emmy Award nominees are so clearly superior to the films up for this past year’s Oscar that it’s not even worth arguing about. (Mad Men vs The Artist?  Game of Thrones […]

  MALEFICENT:  Watch It At Home – Only Jolie Casts a Spell The conflicting agendas driving the new MALEFICENT don’t leave much room for the movie itself.  Like Wicked and Once Upon A Time, it’s a revisionist fairy tale, specifically one that casts a sympathetic, proto-feminist eye on an iconic evil sorceress.  But it’s also […]

  Plot and character revelations are a critical part of James Marsh’s subtle, complex spy drama SHADOW DANCER, adapted by Tom Bradby from his own novel, so I’ll be circumspect in describing its plot beyond the initial set-up.  (Then again, I saw it at an 8:30AM screening at Sundance, so I’m not altogether sure I […]

  OUT OF THE FURNACE:  Watch It At Home – Dark Thriller Is Less Weighty Than It Thinks A great deal of heart and effort has gone into OUT OF THE FURNACE, and it’s disappointing to see the film resolve itself into little more than a fairly routine revenge melodrama, even though director Scott Cooper […]

    THE WOMAN IN BLACK:  Watch It At Home – Fun, But Creaky As Its Doors   THE WOMAN IN BLACK is so aggressively old-fashioned it sometimes feels like the horror movie version of The Artist.  A haunted house story in the grand style, it may be in color and wide-screen, but its heart […]

  GLASS ONION (Netflix – November 4 in theaters, December 23 online):  After Rian Johnson’s Knives Out broke through to become one of the increasingly few non-IP-based mainstream hits in the market ($311.6M worldwide), Netflix moved aggressively to buy out the franchise, reportedly paying $450M for the next 2 crime-solving adventures of detective Benoit Blanc […]