DJANGO UNCHAINED – Worth A Ticket – Pre-Civil War American History 101 With Professor Tarantino Quentin Tarantino is, when you think about it, the most successful avant-garde filmmaker in Hollywood.  His triumph is that although his films are as idiosyncratic and unique as, say, those of the Andersons Wes and Paul Thomas or of […]

> Lynn Shelton’s Humpday in 2009 was one of the most engaging pictures to come out of the mumblecore movement (“mumblecore,” for the uninitiated = ultra-low-budget, small scale film with dialogue mostly improvised by the actors), and her new film YOUR SISTER’S SISTER, which premiered at the Toronto Film Festival last night, confirms that she’s […]

  THE GUILT TRIP:  Watch It At Home – Maybe If the Ride Were Bumpier, It Would Be More Interesting The odd thing about THE GUILT TRIP is that it doesn’t especially cater either to fans of Barbra Streisand (who would probably prefer a more over-the-top, diva-like experience, not to mention some singing) or those of Seth […]

  THE AMAZING SPIDER-MAN 2:  Watch It At Home – The Webs Aren’t Very Tight This Time The huge, lumbering pieces of THE AMAZING SPIDER-MAN 2 rarely succeed in fitting together.  It’s as though the studio and filmmakers–director Marc Webb and screenwriters Alex Kurtzman, Roberto Orci and Jeff Pinkner (plus co-story writer James Vanderbilt)–started with […]

  THE PERKS OF BEING A WALLFLOWER:  Worth A Ticket – The Serious Side of Being a Teen We certainly don’t lack for stories about high school in our popular culture.  The CW and ABCFamily networks are almost entirely devoted to that brief, formative period (as is MTV when it does scripted shows like Awkward.). […]

  EDEN (IFC):  release date unscheduled – Watch It At Home Notwithstanding its subtitles, the genre of Mia Hanson-Love’s EDEN, which had its world premiere at the Toronto Film Festival, isn’t unfamiliar to American eyes:  the rise and fall of a musical genre, as reflected through a group of friends who are involved with it.  […]

> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]

  FUN SIZE:  Not For Any Price – As Halloween Movies Go, John Carpenter’s Are Funnier FUN SIZE marks the feature directing debut of Josh Schwartz, but he’s hardly a neophyte, being the muscle behind (and for the most part a writer/creator of) The O.C., Gossip Girl, Chuck and Hart of Dixie.  He certainly knows […]