IRON MAN 3: Watch It At Home – Offbeat But Uneven Tentpole The last thing on earth that Shane Black, the co-writer (with Drew Pearce) and director of IRON MAN THREE (the way the credits spell it) seems to have wanted to make was an Iron Man movie, and that makes this third–or third […]
> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion fades into irrelevance when the result is as hilarious and accomplished as FOR A GOOD TIME, CALL…, which premiered tonight. Directed by first-time […]
THE WOLF OF WALL STREET: Buy A Ticket – Scorsese’s Boisterous Epic of Bottomless Greed The key sequence in Martin Scorsese’s THE WOLF OF WALL STREET arrives about 2 hours into its 3-hour length. (No meaningful spoilers here.) The resoundingly crooked financier Jordan Belfort (Leonardo DiCaprio) and his equally bent sidekick Donnie Azoff (Jonah […]
> Sundance changed the way it kicks things off this year. Instead of a single high-profile Opening Night Film (which has almost always turned out to be a disappointment), the festival screened several smaller films. For those of us who arrived before the madness begins in earnest tomorrow, there was the chance to get Wait […]
THE MAGIC OF BELLE ISLE: In Limited Theatrical Release and on VOD – If Nothing Else Is On Few recent Hollywood career trajectories have been as puzzling as Rob Reiner’s. From 1984-1992, Reiner directed This Is Spinal Tap, The Sure Thing, Stand By Me, The Princess Bride, When Harry Met Sally…, Mercy and […]
THE CONJURING: Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes documentary-like reality. Director William Friedkin moved the film at a measured, even slow pace, only gradually raising […]
MIRROR MIRROR: Not Even For Free – 7 Years Bad Luck When it was announced that 2012 would bring two big-budget movie versions of the Snow White story, not to mention TV’s Once Upon A Time, in which Snow (Ginnifer Goodwin) is a central character (and that’s not counting Grimm, another […]
David Ayer’s END OF WATCH brings a new wrinkle to the “found-footage” genre by using it in a cop movie. LAPD Officer Brian Taylor (Jake Gyllenhaal) wires a camera to his uniform, and constantly photographs what’s going on while he’s on the beat, supposedly to generate footage for a documentary he wants to put […]