GANGSTER SQUAD – Watch It At Home – Snappy, Violent and Completely Vacuous Watching the new GANGSTER SQUAD is a bit like checking into one of those giant Vegas theme park hotels and expecting to find yourself in the real Rome, Venice or Paris: the place is luxurious, but utterly fake. The director Ruben […]
BEAUTIFUL CREATURES: Watch It At Home – Many Witches, Little Magic BEAUTIFUL CREATURES can’t be dismissed as merely an overlong TV episode meant for the CW, but it never really comes together, either. Richard LaGravenese’s film is another on the tall pile of Young Adult fantasies trying to latch onto audiences now adrift without […]
> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]
THE ODD LIFE OF TIMOTHY GREEN: Not At Any Price – Should Have Been Pruned When Disney decided to make THE ODD LIFE OF TIMOTHY GREEN, it probably shouldn’t have put the word “odd” in the title. Although I suppose it’s preferable to “weird” or “mildly creepy.” Timothy Green is the story of […]
RISE OF THE GUARDIANS: Worth a Ticket – “The Avengers” as Holiday Fantasy RISE OF THE GUARDIANS doesn’t entirely look or feel like what we’ve come to expect from DreamWorks Animation. Under Peter Ramsey’s direction (his first feature), the images have a burnished, almost pewter-tinted glow, a glint of long-forgotten memory, very different from […]
HUSTLERS (STX – September 13): Lorena Scafaria becomes the latest filmmaker failing to ascend Martin Scorsese Mountain. Her Hustlers wants to be Goodfellas in its marrow, not only in its based-on-a-true-story tale of New York criminals who ride high and then go down, but in its structure of interspersing dispassionate after-the-fact narration with the […]
> There’s a principled discussion to be had about whether the Sundance Film Festival should be featuring movies that are essentially low-budget Hollywood entertainments made outside the studio system. But that discussion fades into irrelevance when the result is as hilarious and accomplished as FOR A GOOD TIME, CALL…, which premiered tonight. Directed by first-time […]
HER: Buy A Ticket – Tetrabytes of Love From Spike Jonze HER, which was presented at the AFI Film Festival before opening in theatres next month, is the first film Spike Jonze has directed from his own original script, and although its inventiveness recalls Being John Malkovich and Adaptation., the projects on which he collaborated […]