Posts Tagged ‘box office analysis’
 

 

FRIDAY BOX OFFICE: “The Dark Tower” Short, “Kidnap” OK, “Detroit” Low

  THE DARK TOWER (MRC/Columbia/Sony) will probably win the weekend, but in unimpressive fashion.  It had a $7.7M opening day (including $1.8M from Thursday night), putting it on track for a $19M weekend.  The production ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 4.10.2022

  OPENINGS:  The first Sonic the Hedgehog had the final pre-pandemic smash opening in 2020 before theaters started to close, with $58M for its 3-day weekend ($70M for the full Presidents Day holiday).  Now SONIC THE HEDG...
by Mitch Salem
 

 

 

Behind the Labor Day Weekend US/Worldwide Box Office – 8/31/14

  OPENINGS:  AS ABOVE/SO BELOW (Universal) and THE NOVEMBER MAN (Relativity) are both quietly making their way to oblivion with $8.3 and $7.7M weekends (each may add $1.5-2M on Monday).  November Man, with its older aud...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.6.2022

  OPENINGS:  The male 18-34 demo was again at the center of the box office, largely fueling the $23.5M start for JACKASS FOREVER (Paramount), not quite at the level of the last product of the franchise, 2013’s Bad G...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.13.2022

  OPENINGS:  Note that the entire market in the US will be hit by Super Bowl Sunday, which will be down from Saturday by roughly double the percentage of the usual Saturday-Sunday drop.  (However, Hollywood will hope for...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: MLK Weekend Goes Splat For “Patriots Day,” “Live By Night,” “Monster Trucks” and More

  Half a dozen films entered wide release over the Martin Luther King holiday weekend, and none of them is likely to chart higher than 5th place, most ranging from major disappointments to outright disasters. The most unpl...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.2.2020

  OPENINGS:  A Super Bowl weekend opening generally doesn’t indicate studio confidence, and GRETEL & HANSEL (UA/MGM) started its box office life with a pale $6.1M weekend.  It probably won’t get much past...
by Mitch Salem
 

 
 

Behind the Friday Box Office – 8/15/14

  After 2 weeks of unexpectedly smash hits, the dog days of summer attacked multiplexes with a vengeance. OPENINGS:  THE EXPENDABLES 3 (Lionsgate) squeezed ahead of Let’s Be Cops on Friday, $5.8M (including $875K fr...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.1.2020

  OPENINGS:  THE INVISIBLE MAN (Blumhouse/Universal) had a 12% Saturday bump, evidence of extremely strong word of mouth in the horror genre (among recent uncommonly leggy horror releases, Get Out rose 17% on its 2nd day ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.14.2017

  OPENINGS:  Box office receipts for Mothers Day haven’t been counted yet, but SNATCHED (TSG/20th) is assuming (probably justifiably) that it will be the holiday choice, which brings the studio’s weekend estim...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 6.20.2022

  OPENINGS:  LIGHTYEAR (Pixar/Disney) was a tricky attempt to extend the hugely lucrative Toy Story franchise, both a prequel and a spinoff that featured a different version of the titular character than the one audiences...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7.7.2019

  OPENINGS:  SPIDER-MAN: FAR FROM HOME (Columbia/Sony) owned the Independence Day holiday, with $93.6M over the 3-day weekend, and a $185.1M total since its Tuesday opening.  Comparisons are inexact due to the 6-day holi...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 5.2.2021

  OPENINGS:  The only wide opening of the aweek was the low-budget horror movie SEPARATION (Open Road), which had a slow start at $1.8M. There were some new limited releases, led by FOUR GOOD DAYS (Vertical) at 298 theatr...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 7.31.2022

  OPENINGS:  LEAGUE OF SUPER-PETS (DC/Warners) arrived with a blah $23M, given its franchise-adjacent pedigree and starry voice cast, and it wasn’t very animated overseas either, with $18.4M in 63 markets.  It face...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: “Coco” Stays On Top, “Wonder” Solid, “3 Billboards” & “Lady Bird” Expand

  There were no new wide releases on this pre-holiday, pre-Last Jedi weekend, so all the action was in holdovers and limited releases.  According to preliminary numbers at Deadline, COCO (Pixar/Disney) easily retained its...
by Mitch Salem