Posts Tagged ‘box office analysis’
 

 

Behind the US/Worldwide Weekend Box Office 10.24.2021

  OPENINGS:  DUNE (Legendary/Warners, also on HBO Max) launched in US theaters at $40.1M, the highest start for a film also premiering on HBO Max.  (And while Warners had previously preserved Thursday night for theatrica...
by Mitch Salem
 

 
 

Behind the US/Worldwide Box Office – 11.14.2021

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patr...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: Another Winning Holiday For “Last Jedi” & “Jumanji,” But “All The Money” Starts Slow

  Most films will rise this weekend compared to last week, simply because New Year’s Eve is a bigger moviegoing occasion than Christmas Eve.  Generally, box office should rise 20% or so on Saturday, drop around 30% ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 03.19.2017

  OPENINGS:  According to published reports, Emma Watson’s deal on BEAUTY & THE BEAST (Disney) starts at a $3M base, but rises to $15M if the film reaches around $750M worldwide.  It seems like Watson can safel...
by Mitch Salem
 

 

 

EARLY WEEKEND BOX OFFICE: “Fault In Our Stars” Plunges on Saturday, “Edge of Tomorrow” Flat

  THE FAULT IN OUR STARS (20th) was unable to attract ticket buyers beyond its core of young female fans, and according to preliminary numbers at Deadline and elsewhere, the result was a mammoth Friday-to-Saturday drop of ...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 3.7.2021

  OPENINGS:  RAYA AND THE LAST DRAGON (Disney, also on Disney+) launched with $8.6M in theatres, and while it also earned (undisclosed) income from super-premium VOD through Disney+, that number was notably lower than las...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11/2/14

  OPENINGS:  NIGHTCRAWLER (Open Road) and Ouija are in a dead heat for the weekend title, with Nightcrawler claiming a temporary $9000 edge at $10.909M.  We won’t know the real winner until tomorrow, but Ouija is a...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 3.21.2021

  OPENINGS:  With the LA movie theatre market now open (at 25% capacity) and a general rise in vaccinations, the box office seems to be taking its first very tentative steps back to pre-pandemic life.  The one wide openi...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 10/19/14

  OPENINGS:  The $23.5M opening for FURY (QED/Columbia/Sony) puts it at risk of being passed next weekend by the low-grade Keanu Reeves vehicle John Wick.  Fury has the distinction of being the lowest-grossing movie to o...
by Mitch Salem
 

 
 

UPDATED WEDNESDAY BOX OFFICE

  Note:  Updated With Official Wednesday Studio Estimates It’s going to be a sensational holiday for DESPICABLE ME 2 (Universal).  he sequel had the third-best opening day for any animated movie ever with $34.3M on...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 8.21.2022

  OPENINGS:  With little else new around, DRAGON BALL SUPER: SUPER HERO (Crunchyroll/Sony) seized the weekend with $20.1M, a bit lower than the studio’s Dragon Slayer: Mugen Train, which opened with $21.2M at about ...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 1.17.2021

  OPENINGS:  THE MARKSMAN (Open Road) allows Liam Neeson to lay claim to being the most prolific movie star of the pandemic, following on the releases of Honest Thief and the smaller-scale Made In Italy.  Despite a holid...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.27.2022

  OPENINGS:  The major studios took the weekend off in anticipation of next week’s The Batman overwhelming the market.  STUDIO 666 (Open Road) didn’t find much of a crowd for its Foo Fighters horror with a $1...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 3.1.2020

  OPENINGS:  THE INVISIBLE MAN (Blumhouse/Universal) had a 12% Saturday bump, evidence of extremely strong word of mouth in the horror genre (among recent uncommonly leggy horror releases, Get Out rose 17% on its 2nd day ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 12/4/16

  OPENINGS:  The big studios wanted no part of the weekend after Thanksgiving, and the only arrivals were a pair of fringe indies.  Even for a micro-budgeted horror product, INCARNATE (High Top/Blumhouse/Universal) was a...
by Mitch Salem