Posts Tagged ‘box office analysis’
 

 

US/Worldwide Weekend Box Office Report – 2.14.2021

  OPENINGS:  The Presidents Day weekend wide releases were Sundance titles seeking to take advantage of the expanded “2020” Oscar calendar, which includes films released through February 2021.  Both would lik...
by Mitch Salem
 

 
 

EARLY WEEKEND BOX OFFICE: “Fault In Our Stars” Plunges on Saturday, “Edge of Tomorrow” Flat

  THE FAULT IN OUR STARS (20th) was unable to attract ticket buyers beyond its core of young female fans, and according to preliminary numbers at Deadline and elsewhere, the result was a mammoth Friday-to-Saturday drop of ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.5.17

  OPENINGS:  It’s still too soon to gauge whether RINGS (Paramount) can creep its way to breakeven with international help (total production/marketing costs are $75M+), but it’s certainly not performing well e...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Kong: Skull Island” A Moderate Roar, “Logan” Drops, “Get Out” Holds

  KONG: SKULL ISLAND (Legendary/Tencent/Warners) had a $20M opening day according to preliminary numbers at Deadline (that’s at the high end of numbers reported elsewhere earlier in the day), including $3.7M from Thu...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.6.2022

  OPENINGS:  THE BATMAN (DC/Warners) was the first event movie to open in 3 months, and the market responded with a $128.5M weekend, the 2nd-highest of the pandemic era (although not close to Spider-Man: No Way Home‘...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 4.24.2022

  OPENINGS:  THE BAD GUYS (DreamWorks Animation/Universal) had a solid $24M start, above (low) projections.  It’s unclear whether the release for the film will fall under the normal Universal non-blockbuster 17-day...
by Mitch Salem
 

 

 

UPDATED WEDNESDAY BOX OFFICE

  Note:  Updated With Official Wednesday Studio Estimates It’s going to be a sensational holiday for DESPICABLE ME 2 (Universal).  he sequel had the third-best opening day for any animated movie ever with $34.3M on...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 1.16.2022

  OPENINGS:  The 18-34 audience that now defines theatrical distribution in the US showed up for SCREAM (Skyglass/Paramount), propelling the reboot to $30.6M for the 3-day weekend and $35M for the 4-day holiday.  Reporte...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 4.10.2022

  OPENINGS:  The first Sonic the Hedgehog had the final pre-pandemic smash opening in 2020 before theaters started to close, with $58M for its 3-day weekend ($70M for the full Presidents Day holiday).  Now SONIC THE HEDG...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 12.6.2020

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 wee...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 9.6.2020

  OPENINGS:  The hugely-anticipated US opening box office numbers for TENET (Warners) turned out to be frustratingly opaque to interpret, and to the extent they were comprehensible, simply not very good.  (Let’s as...
by Mitch Salem
 

 
 

Behind the Weekend US/Worldwide Box Office – 7/13/14

  OPENINGS:  DAWN OF THE PLANET OF THE APES (20th) brought in $73M in the US, and added $31.1M in 26 (mostly smaller) international markets.  While a terrific boost to the franchise (which rebooted at $54.8M with Rise 3 ...
by Mitch Salem
 

 

 

New Year’s Weekend Box Office Update

  Official studio estimates are in for New Year’s Weekend in the US, but overseas numbers are still sketchy.  A few notes: ROGUE ONE (Lucasfilm/Disney) had a US result in keeping with preliminary numbers, up 15% on ...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.27.2022

  OPENINGS:  The major studios took the weekend off in anticipation of next week’s The Batman overwhelming the market.  STUDIO 666 (Open Road) didn’t find much of a crowd for its Foo Fighters horror with a $1...
by Mitch Salem
 

 

 

Behind the Friday Box Office: 3/28/14

  OPENINGS:  NOAH (Paramount/Regency) got the start it wanted and needed with $15.2M on Friday ($1.6M of that from Thursday night), which–unless word of mouth sinks the ark–should mean a $40M weekend.  The da...
by Mitch Salem