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International Box Office through December 8

Updated worldwide box office chart for 2013 North American films.  Also, click here for a summary of worldwide performance by studio.
by Mitch Metcalf
 
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Behind the US/Worldwide Weekend Box Office – 5.20.2018

  OPENINGS:  Although unquestionably huge, and sure to be enormously profitable against roughly $250M in production/marketing costs, DEADPOOL 2 (20th) opened on the low end of expectations, about 5% below the first Deadpo...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.21.2019

  OPENINGS:  THE LION KING (Disney) was expected to be the crown jewel in Disney’s recreations of its animated classics, and despite sharply mixed reviews, it delivered with a $185M opening weekend–and that st...
by Mitch Salem
 
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Year to Date Box Office & Worldwide Studio Scorecard 11.1.2015

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +5% above last year and now +2% above the average for this point the past four years ($8.007 billion).  Ove...
by Mitch Metcalf
 
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Weekend Box Office Predictions 5.22-24.2015

Weekend #21 of 2015 is looking like $162 million for the top 12 films this weekend, well below the norm for this weekend. Opening at around 3,800 theaters Friday (well above the 2,886 average theater count for opening weekend...
by Mitch Metcalf
 
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Year to Date Box Office & Worldwide Studio Scorecard 1.20.2019

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until mid-February...
by Mitch Metcalf
 
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Behind The US/Worldwide Weekend Box Office – 7.7.2024

  OPENINGS:  DESPICABLE ME 4 (Illumination/Universal) arrived at the high end of expectations with a $75M 3-day weekend and $122.6M since its July 3 opening.  That was a tad below 2013’s Despicable Me 2, which also...
by Mitch Salem
 
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Year to Date Box Office & Worldwide Studio Scorecard 9.25.2016

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is still +4% above last year and still +5% above the average for this point the...
by Mitch Metcalf
 
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Year to Date Box Office & Worldwide Studio Scorecard 1.29.2017

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 films by studio.  We will begin tracking the 2017 slate in a few weeks.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +5% above l...
by Mitch Metcalf
 
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International Box Office through October 13

Updated international box office chart:
by Mitch Metcalf
 
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BEHIND THE WEEKEND BOX OFFICE: 12/8/13

  OPENINGS:  With a dreadful $5.3M weekend, OUT OF THE FURNACE (Relativity) emerged burnt to a crisp.  The only useful thing it could do at this point is boost Christian Bale’s chance for an Oscar nomination–...
by Mitch Salem
 
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EARLY FRIDAY BOX OFFICE: “The Boss” Is Kryptonite to “BvS,” “Hardcore Henry” & “Demolition” Implode

  How much more humiliating can things get for Warners?  On Friday, according to preliminary numbers at Deadline, THE BOSS (Universal), which isn’t even a high-performing Melissa McCarthy vehicle, beat up both the s...
by Mitch Salem
 
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Dark Knight Rises Box Office Update: Monday

The Dark Knight Rises grossed a preliminary $19.4 million Monday, bringing its four-day domestic total to $180.3 million.  Similar to Saturday and Sunday’s results, Monday lagged behind The Dark Knight‘s pace four ...
by Mitch Metcalf
 
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Weekend Studio Estimates APRIL 18-20

Based on Friday’s and Saturday’s grosses, weekend #16 of 2014 now looks like $126 million for the top 12 films Friday-Sunday, up $4 million from yesterday’s estimate and now 12% above the average for this week...
by Mitch Metcalf
 
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BEHIND THE FRIDAY BOX OFFICE – 7/12/13

  What kind of summer movie season has it been, really?  For the past several weeks, business has been consistently up, erasing the losses from a soft spring, and even with 3D, Imax and inflation taken into account, more ...
by Mitch Salem
 
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