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SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 4.11.2016

  So much for that FLASH crossover bounce for SUPERGIRL. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 rat...
by Mitch Metcalf
 
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THE SKED NETWORK SCORECARD – 10/28/13

  The World Series had surprisingly little meaningful effect on the other networks. FOX:  WORLD SERIES GAME 5 had a preliminary 3.8, which probably won’t go much beyond a 4 in final numbers.  There hasn’t been a ...
by Mitch Salem
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 3.30.2015

  A bad night everywhere but at ABC. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skew...
by Mitch Metcalf
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 11.24.2014

  Between football preemptions and live coverage of the events in Ferguson, last night’s ratings are subject to a great deal of adjustment this afternoon, and even then may not be very relevant in terms of regular-se...
by Mitch Metcalf
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD 4.20.2015

  THE VOICE is looking awfully tired. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience ske...
by Mitch Metcalf
 
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THE SKED’S MONDAY NETWORK SCORECARD – 9/24/12

A good start for the Peacock. NBC:  Regular season competition dented but didn’t break the Monday line-up.  THE VOICE was the highest rated show of the night at 4.3, more than 50% higher than the Dancing With the Stars ...
by Mitch Salem
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD (Updated With Late-Night Ratings) – 3.23.2015

  THE NIGHT SHIFT had an unusually perky night.  In addition, note that in the post-midnight realm, LATE LATE SHOW WITH JAMES CORDEN had a solid start with older audiences, premiering at 1.4 in total households, ahead of ...
by Mitch Metcalf
 
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