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The Sked: Monday Ratings 4.18.2016

DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ s...
by Mitch Metcalf
 
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THE SKED’S MONDAY NETWORK SCORECARD 2/11/13

The Following is losing its own. FOX:  After two strong weeks to start, THE FOLLOWING had its second consecutive ratings drop, this time falling a serious 0.5 to an only moderately positive 2.4, just good enough for 3rd place ...
by Mitch Salem
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 2.9.2015

  A strong night for THE BACHELOR. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews ...
by Mitch Metcalf
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD (Updated With Late-Night Ratings) – 3.23.2015

  THE NIGHT SHIFT had an unusually perky night.  In addition, note that in the post-midnight realm, LATE LATE SHOW WITH JAMES CORDEN had a solid start with older audiences, premiering at 1.4 in total households, ahead of ...
by Mitch Metcalf
 
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THE SKED NETWORK SCORECARD – 10/28/13

  The World Series had surprisingly little meaningful effect on the other networks. FOX:  WORLD SERIES GAME 5 had a preliminary 3.8, which probably won’t go much beyond a 4 in final numbers.  There hasn’t been a ...
by Mitch Salem
 
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UPDATED: THE SKED CABLE/NETWORK SCORECARD – 3/17/14

  AFTERNOON UPDATE:  After adjustment, THE VOICE went up 0.1 and THE BLACKLIST went down by the same amount (in the latter case, negating its small climb from 2 weeks ago).  Also up by 0.1:  DANCING WITH THE STARS and 2 BRO...
by Mitch Salem
 
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SHOWBUZZDAILY MONDAY NETWORK SCORECARD – 2.15.2016

  The GRAMMY AWARDS lost some of their beat. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audie...
by Mitch Salem
 
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