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Behind the US/Worldwide Weekend Box Office – 11.18.2018

  OPENINGS:  FANTASTIC BEASTS: THE CRIMES OF GRINDELWALD (Warners) opened at $62.2M in the US, down 16% from the first Beasts.  In addition, it was more front-loaded, with a 16% Saturday drop compared to 12%.  Exit poll...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 4/5/15

OPENINGS:  Here are the records FURIOUS 7 (Universal) has racked up:  #4 worldwide opening at $384M (behind the final Harry Potter, Harry Potter and the Half-Blood Prince, and The Avengers)–although that may be cheating...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 6/21/15

  OPENINGS:  INSIDE OUT (Pixar/Disney) had the largest opening for an animated non-sequel ever at $91.1M.  (Disney is claiming a slightly more abstract record as well, the largest opening for a film that isn’t base...
by Mitch Salem
 
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Behind The US/Worldwide Weekend Box Office – 7.7.2024

  OPENINGS:  DESPICABLE ME 4 (Illumination/Universal) arrived at the high end of expectations with a $75M 3-day weekend and $122.6M since its July 3 opening.  That was a tad below 2013’s Despicable Me 2, which also...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/23/14

  OPENINGS:  It’s official:  THE HUNGER GAMES: MOCKINGJAY PART I (Lionsgate) opened to $123M in the US, down 20% from the first Hunger Games and down 23% from Catching Fire.  That’s still the #1 opening of t...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.22.2022

  OPENINGS:  Considering that DOWNTON ABBEY: A NEW AGE (Focus/Universal) is something like a fresh MCU chapter for the older female audience, the fact that the sequel opened at $16M despite solid reviews–a painful 4...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.26.2024

  OPENINGS:  It was a bleak Memorial Day weekend at the box office, the worst in decades.  FURIOSA: A MAD MAX SAGA (Warners) limped to a victory for Friday-Sunday with $25.5M, but it may well tumble to 2nd place once the...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.27.2018

  OPENINGS:  With the addition of Saturday and overseas numbers, SOLO (Lucasfilm/Disney) is starting to shift from a disappointment to a potential disaster.  In the US, Solo fell 30% on Saturday (by comparison, last year...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 11/13/16

  OPENINGS:  The box office was boosted in general by Veterans Day, which gave many Americans a 3-day weekend, but ARRIVAL (FilmNation/Sony/Paramount) was still notably impressive with a $24M weekend at a mid-wide 2317 th...
by Mitch Salem
 
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BEHIND THE WEEKEND BOX OFFICE – 12/15/13

  OPENINGS:  THE HOBBIT: THE DESOLATION OF SMAUG (Warners/MGM) had a better Saturday hold than last year’s An Unexpected Journey (-22% vs. -25%), suggesting that positive word of mouth is kicking in, and no doubt ea...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.19.17

  OPENINGS:  THE GREAT WALL (Legendary/Universal) scraped its way to $18.1M in the US, and should add another $3M or so on Monday.  The $50M it will hope to reach here will barely pay for its US marketing campaign, so th...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 9.24.2023

  OPENINGS:  THE EXPEND4BLES (Lionsgate) had a disastrous start with $8.3M, about half of both expectations and the $15.9M opening of Expendables 3 in 2014.  Expend4bles may only total $20M in the US, and while the franc...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2.13.2022

  OPENINGS:  Note that the entire market in the US will be hit by Super Bowl Sunday, which will be down from Saturday by roughly double the percentage of the usual Saturday-Sunday drop.  (However, Hollywood will hope for...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 7.9.2023

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature th...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12/4/16

  OPENINGS:  The big studios wanted no part of the weekend after Thanksgiving, and the only arrivals were a pair of fringe indies.  Even for a micro-budgeted horror product, INCARNATE (High Top/Blumhouse/Universal) was a...
by Mitch Salem
 
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