Posts Tagged ‘international box office’
 

 

Behind the US/Worldwide Weekend Box Office – 6.2.2019

  OPENINGS:  GODZILLA, KING OF THE MONSTERS (Legendary/Warners) didn’t have the Saturday bump that Kong: Skull Island enjoyed, instead dropping 17%, which was slightly worse even than the first Godzilla‘s 16%....
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 1.7.2018

  OPENINGS:  By horror movie standards, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) didn’t collapse on Saturday (down 13%), and that propelled it to a very solid $29.3M weekend, which among horror product in that ...
by Mitch Salem
 

 

 

US/Worldwide Weekend Box Office Report – 12.6.2020

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 wee...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 5.20.2018

  OPENINGS:  Although unquestionably huge, and sure to be enormously profitable against roughly $250M in production/marketing costs, DEADPOOL 2 (20th) opened on the low end of expectations, about 5% below the first Deadpo...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 7.10.2022

  OPENINGS:  THOR: LOVE & THUNDER (Marvel/Disney) opened within expectations at $143M, although it’s worth noting that while the Friday-to-Saturday drop was steeper than those for Thor: Ragnarok and Doctor Stran...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.3.2023

  OPENINGS:  Beyonce’s concert documentary RENAISSANCE (Variance/AMC Theaters) led the traditionally slow first weekend of December with $21M, a shadow of the $92.8M for the Eras Tour movie a couple of months ago, b...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 11.19.2017

  OPENINGS:  Could JUSTICE LEAGUE (RatPac/DC/Warners) actually lose money?  That possibility exists after a worldwide opening (except Japan, not a huge superhero market) that hit only $281.5M, a number that sounds big on...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 2.13.2022

  OPENINGS:  Note that the entire market in the US will be hit by Super Bowl Sunday, which will be down from Saturday by roughly double the percentage of the usual Saturday-Sunday drop.  (However, Hollywood will hope for...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 8.11.2024

  OPENINGS:  IT ENDS WITH US (Wayfarer/Columbia/Sony) roared past expectations with a remarkable $50M.  That studio estimate comes with a couple of asterisks–it includes an unspecified amount from wide Wednesday sc...
by Mitch Salem
 

 
 

Behind the Weekend US/International Box Office – 6/8/14

  International Box Office Note:  This is the last weekend before the World Cup begins diverting much of the planet’s attention (except, of course, in the US) away from movies for the next month.  That’s expe...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.25.2018

  OPENINGS:  It was no picnic opening against the historic 2nd weekend of Black Panther, and all of the new arrivals may have left some money on the table.  GAME NIGHT (New Line/Warners) fared best, and ran a healthy 25%...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 3.3.2024

  OPENINGS:  DUNE: PART TWO (Legendary/Warners) landed at the high end of projections with $81.5M.  Comparisons with the 2021 Dune have little meaning, since that film was part of the studio’s controversial year of...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 6.25.2023

  OPENINGS:  NO HARD FEELINGS (Columbia/Sony) slightly exceeded tracking expectations with $15.1M, but those expectations were themselves quite low.  With production and worldwide marketing costs in the neighborhood of $...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 8/16/15

  OPENINGS:  STRAIGHT OUTTA COMPTON (Legendary/Universal) turned out to be somewhat frontloaded, with a 20% drop on its 2d day of release.  But no one will complain about its huge $56.1M weekend, the #6 August opening ev...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 4.16.2017

  OPENINGS:  We’ll find out tomorrow if the studio’s $100.2M US weekend estimate for THE FATE OF THE FURIOUS (Universal), which counts on an influx of post-church Easter Sunday Christians, will slip into doubl...
by Mitch Salem