Posts Tagged ‘movie review’
 

 

THE SHOWBUZZDAILY REVIEW: “Lawless”

  LAWLESS:  Watch It At Home – A Moonshine War To Make You Long for “Boardwalk Empire” Director John Hillcoat specializes in stark, emotionally distanced pulp, and if that sounds like a contradiction in ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY SUNDANCE REVIEW: “The One I Love”

  The trouble with trying to recommend THE ONE I LOVE , written by Justin Lader and directed by Charlie McDowell, is that it’s impossible to describe how clever, surprising and intriguing it turns out to be without...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Oblivion”

  OBLIVION:  Worth A Ticket – Dramatically Uneven, But Visually Spectacular OBLIVION is amazing to look at.  Even though it takes place in the same post-apocalyptic landscape where movie and TV audiences seem to sp...
by Mitch Salem
 

 
 

THE SHOWBUZZDAILY REVIEW: “Gangster Squad”

  GANGSTER SQUAD – Watch It At Home – Snappy, Violent and Completely Vacuous Watching the new GANGSTER SQUAD is a bit like checking into one of those giant Vegas theme park hotels and expecting to find yourself...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “White House Down”

  WHITE HOUSE DOWN:  Worth A Ticket – Things Go “Boom”; We Go “Yay” WHITE HOUSE DOWN is wondrously stupid, so merrily, spectacularly idiotic that it washes the taste of Olympus Has Fallen and...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Short Term 12″”

  SHORT TERM 12:  Run To the Multiplex – Powerful and Moving Indie Drama How can I make you want to see SHORT TERM 12?  It’s one of the year’s best pictures, but I feel as though describing the plot and...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “The Mortal Instruments: City of Bones”

  THE MORTAL INSTRUMENTS: CITY OF BONES –  Not Even For Free –  An Incoherent Compendium of YA Tropes THE MORTAL INSTRUMENTS: CITY OF BONES isn’t so much a movie as it is a mash-up.  They’re all ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Lifeguard”

  If you go to too many Sundances, or see too many indie films, there are certain templates you come to recognize all too quickly.  THE LIFEGUARD, written and directed by Liz W. Garcia, a TV writer (Memphis Beat, Cold Cas...
by Mitch Salem
 

 

 

THE SHOWBUZZDAILY REVIEW: “Trouble With the Curve”

  TROUBLE WITH THE CURVE:  Worth A Ticket – Another Late Autumn Role for Clint Think of TROUBLE WITH THE CURVE as Million Dollar Baby Lite.  Again we have the cranky older man (Clint Eastwood, this time a baseball ...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Big Sur”

  Maybe it’s time for a filmmaker who doesn’t give a damn about the Beat Generation to make the next movie about them.  Michael Polish’s BIG SUR joins last year’s On the Road as a Jack Kerouac adap...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: “The Necessary Death of Charlie Countryman”

It’s a cliche to say, when a director of commercials and music videos helms his or her first feature film, that the result resembles a video extended to feature length–and certainly not one that’s always true,...
by Mitch Salem
 

 
 

SHOWBUZZDAILY @ SUNDANCE 2013: “Sweetwater”

  But for one unfortunately critical element, Logan and Noah Miller’s SWEETWATER (the brothers rewrote a script originally by Andrew McKenzie) is a highly enjoyable darkly comic western, as subsumed in stylized mov...
by Mitch Salem
 

 

 

SHOWBUZZDAILY FILM REVIEW: “Blue Jasmine”

  BLUE JASMINE:  Worth A Ticket – Cate Blanchett Is Dazzling in Woody Allen’s Latest Woody Allen has made so many movies at such regular intervals, and they’re so thematically linked, that it’s tem...
by Mitch Salem
 

 
 

SHOWBUZZDAILY FILM REVIEW: “Pacific Rim”

  PACIFIC RIM:  Watch It At Home – Even Michael Bay Might Say “Too Much” Why isn’t PACIFIC RIM a better movie?  It’s a passion project for the tremendously talented co-writer (with Travis Be...
by Mitch Salem
 

 

 

SHOWBUZZDAILY @ SUNDANCE 2013: Capsule Reviews

  The old truism that Park City empties out during the second half of the Sundance Film Festival, making it possible to see all the hot titles that premiered at the festival’s start, is far less true than it used to ...
by Mitch Salem