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OSCARLAND: Producers Guild Nominations

  The calendar has turned to 2014, and the critics, for the most part, have spoken.  Now Oscar season is moving into the Guild part of its schedule, and today the Producers Guild announced its Best Picture nominees.  The...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Not Fade Away”

  NOT FADE AWAY:  Watch It At Home – The Tumultuous 1960s (Again) What do you do after you’ve created the seminal television drama of our time?  If you’re David Chase, it seems that you take a few years...
by Mitch Salem
 
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Articles

The Weekend in Critics Awards

  The big prizes this weekend were the Los Angeles Film Critics Association awards, LAFCA has a habit of showcasing its iconoclasm (the organization has only given its Best Picture prize to the eventual Oscar winner once i...
by Mitch Salem
 
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Articles

THE BIJOU AWARDS BAIT REPORT: Ugh-scar

> It may not literally be true that if you look up “hack” in the dictionary, you’ll find a picture of Brett Ratner.  In fact, not all his movies are terrible:  there’s Family Man, and… we...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “My Week With Marilyn”

    MY WEEK WITH MARILYN:  Worth A Ticket – Michelle Williams is Spectacular, Movie Is Fine   Harvey Weinstein has two movies on the way in the next couple of months featuring actresses who are presumptive...
by Mitch Salem
 
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Articles

OSCARBALL: The Critics’ Choice Nominations

  The Broadcast Film Critics Association is one of those organizations that wants everyone to be happy, including the television network (CW) that carries its yearly telecast, so it gives out a number of MTV-like silly awa...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Lincoln”

  LINCOLN:  Worth A Ticket – The West Wing, Civil War Edition In today’s Hollywood, there aren’t many directors whose names are trademarks.  “A Martin Scorsese movie” doesn’t have the ...
by Mitch Salem
 
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Articles

CRITICS AWARDS: “Zero Dark” Fires the First Shot

  Year-end awards from critics groups have two purposes in the big-picture (which is to say the Oscar) context.  In the aggregate, if enough of the groups are in agreement to form a consensus, they can make an accolade se...
by Mitch Salem
 
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Articles

OSCARLAND: The BAFTAs

  Although there were some new faces due to release patterns and category differences, in the big picture, the BAFTAs–Britain’s equivalent of the Oscars–turned out to be very much like the Golden Globes.�...
by Mitch Salem
 
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THE BIJOU REVIEW: “Moneyball”





Our Review / 5 - Terrible
by Mitch Salem
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Articles

OSCARS MINUS 1: Final Predictions and Hopes

  We’re less than 24 hours away from that exciting moment when the first negative tweet about Seth McFarlane’s performance as this year’s Oscar host appears, so it’s time to go all-in and make some ...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “A Dangerous Method”

  A DANGEROUS METHOD:  Watch It At Home – A Visit to Dr. Cronenberg’s Clinic   Throughout his career, David Cronenberg has been fascinated by twin compulsions:  the aberrant and the repressive.  The for...
by Mitch Salem
 
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Film Festival

TORONTO FILM FESTIVAL REVIEW: “12 Years A Slave”

  Steve McQueen (the filmmaker) doesn’t take it easy on audiences.  His first feature Hunger provided an excruciatingly detailed look at the fatal hunger strike of the Irish convict Bobby Sands, and he followed it w...
by Mitch Salem
 
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THE SHOWBUZZDAILY REVIEW: “War Horse”

  WAR HORSE:  Watch It At Home –  Spielberg’s Beautiful Muzak   Earlier this year, audiences were presented with Super 8, J. J. Abrams’s pastiche of Steven Spielberg’s classic sci-fi adventures f...
by Mitch Salem
 
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Articles

THE STATUETTE STAKES: Brett Ratner’s Really Bad Week

> Nobody remembers the comic strip “L’il Abner” anymore, but there used to be a character in it named Joe Btfspik, who was so unlucky that he walked around with a perpetual dark cloud hanging over his head.&nb...
by Mitch Salem
 
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