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Weekly & Season to Date Network Ratings: NBC News Puts NBC Into Contention for the Week

Projected weekly network ratings in prime time (based on four days of official nationals and three days of fast nationals).  NBC moved into a virtual first-place tie with FOX this past week, thanks to NBC News coverage of the ...
by Mitch Metcalf
 
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Articles

THE SKED’S SUNDAY NETWORK SCORECARD – 4/21/13

  On what’s become cable TV’s premier night, only two shows on broadcast TV topped a 2 rating.   ABC:  ONCE UPON A TIME returned with its first new episode in a month, and fell to a series low 2.1.  The 1.4 ...
by Mitch Salem
 
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Articles

INTERNATIONAL BOX OFFICE through April 21

Updated International Box Office Chart:
by Mitch Metcalf
 
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Articles

BEHIND THE WEEKEND BOXOFFICE – 4/21/13

  OPENINGS:  OBLIVION (Universal) had a solid $38.2M start (although the studio is estimating the lowest Sunday drop in the Top 10, so that number may come down tomorrow), with a 12% Saturday bump.  The less good news is...
by Mitch Salem
 
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Articles

THE SKED: Misfit Toys Scorecard – “Smash” vs. “Vegas”

  This is what it came to for SMASH and VEGAS, both starry, expensive shows that once had Emmy lights glittering in their eyes:  fighting it out for 3rd place at 8PM on a Saturday night.  Behind the 1.5 for a UFC match ...
by Mitch Salem
 
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Articles

BEHIND THE FRIDAY BOXOFFICE – 4/19/13

  OPENINGS:  OBLIVION (Universal) had a fairly good start, with a $13.3M Thursday night/Friday that should give it a $35-38M weekend, depending on word of mouth.  But that’s still lower than the $15.3M earned by GI...
by Mitch Salem
 
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Articles

The Sked: Friday Night Ratings — Real Crime Drama Draws Viewers to Normally Dead Night

Not quite as exciting as a live freeway police pursuit but still very compelling and much more relevant, the coverage of the reaction to the capture of the remaining Boston Marathon Bombing suspect brought viewers to the normal...
by Mitch Metcalf
 
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Articles

FRIDAY APRIL 19 BOX OFFICE REPORT

Based on Friday’s grosses, Weekend #16 of 2013 is looking like $102 million for the top 12 films, down 19% from the same weekend last year and down 8% from the average the past few years for this weekend.   Opening at 3,...
by Mitch Metcalf
 
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Current Release

THE SHOWBUZZDAILY VOD REVIEW: “To The Wonder”

  TO THE WONDER:  Malick Twirls and Twirls and Doesn’t Get Anywhere Terrence Malick’s last film The Tree of Life was nominated for the Academy Award for Best Picture; his new TO THE WONDER is receiving only a ...
by Mitch Salem
 
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Pilot + 1

THE SKED’S PILOT + 1 REVIEW: “Da Vinci’s Demons”

  DA VINCI’S DEMONS:  Friday 9PM on Starz A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus gr...
by Mitch Salem
 
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Articles

EARLY FRIDAY BOXOFFICE – 4/19/13

  Tom Cruise’s OBLIVION (Universal) faced no significant competition for its opening this weekend, and according to preliminary numbers at Deadline, it had a fairly strong $13.8M Friday (including $1.1M from Thursday...
by Mitch Salem
 
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Articles

THE SKED: Friday Pre-Empted

  A brief ratings note:  the bulk of Friday’s network primetime schedule was preempted on the East Coast for live news coverage of the arrest of the suspected Boston Marathon bomber, and reruns were substituted for ...
by Mitch Salem
 
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Articles

THE SKED: NBC No Longer “Ready For Love;” A Promotion for “Grimm”

  After two episodes proving that even a lead-in from The Voice can’t rescue some shows, NBC’s Eva Longoria-produced READY FOR LOVE is no more, yanked off the Tuesday schedule and with no airing of its remainin...
by Mitch Salem
 
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Articles

THE SKED: FOX Doesn’t Stop Believin, Renews “Glee” For 2 Seasons

  GLEE may only be a shadow of the phenomenon it was when it began 4 seasons ago (a 2.3 average this season, compared to 4.0), but it’s still a significant asset for FOX, especially among the younger 18-34 demographi...
by Mitch Salem
 
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Articles

Sony Blinks: “After Earth” Flies Away from Superman

  With hundreds of millions of dollars on the line, the opening dates for blockbuster movies are carefully calculated months–sometimes years–in advance.  So a last minute change doesn’t come from nowhere...
by Mitch Salem
 
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