Posts Tagged ‘spotlight’
 

 

THE SKED SEASON PREMIERE REVIEW: “Nurse Jackie”

  NURSE JACKIE:  Sunday 9PM on Showtime NURSE JACKIE had a strong, dramatic season last year that may have been its best.  But the ratings weren’t anything to speak of (a 0.2-0.3 in 18-49s, and fewer than a million...
by Mitch Salem
 

 
 

THE SKED SEASON PREMIERE REVIEW: “Veep”

  VEEP:  Sunday 10PM on HBO You wouldn’t expect Armando Iannucci’s VEEP to change much from season to season, and you’d largely be right.  Notwithstanding its four-letter words and bustling cinema verit...
by Mitch Salem
 

 

 

INTERNATIONAL BOX OFFICE through April 14

The Croods was the big mover overseas this past week, up $38 million outside North America to $243 million overseas and $416 million worldwide.  The other big gainer outside of home was G.I. Joe: Retaliation (up $23 million...
by Mitch Metcalf
 

 
 

BEHIND THE WEEKEND BOXOFFICE – 4/14/13

  OPENINGS:  42 (Warners) had no trouble taking the weekend with an estimated $27.3M.  With very limited overseas appeal, the picture isn’t likely to be a huge moneymaker (production and marketing costs will reach ...
by Mitch Salem
 

 

 

THE SKED: “Smash” and A Broken Heart For Every Light On Broadway

  Believe it or not, now that it’s far too late and the closing notice has all but been posted, SMASH aired its best episode of the season last night–not remotely what some of us hoped the show would be at the ...
by Mitch Salem
 

 
 

WEEKEND STUDIO ESTIMATES April 12-14

Based on Friday’s and Saturday’s grosses, Weekend #15 of 2013 is now looking like $110 million for the top 12 films, up slightly from yesterday’s estimate and now up a few percentage points from the same weeke...
by Mitch Metcalf
 

 

 

EARLY WEEKEND BOXOFFICE REPORT – 4/13/13

  The burnished Jackie Robinson bio 42 (Warners) continued its winning ways on Saturday, according to preliminary numbers at Deadline, with a solid 22% bump to $11.1M and what should be a $27M weekend.  That’s very...
by Mitch Salem
 

 
 

THE SKED REVIEW: “Saturday Night Live” with Vince Vaughn

  It took 84 minutes before SATURDAY NIGHT LIVE aired a single franchise sketch tonight.  That’s 84 minutes of non-stop, uninterrupted originality from the writing staff, working without the nets of familiar charact...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOXOFFICE – 4/12/13

  OPENINGS:  After a painful post-Hobbit winter, Warners was in dire need of a hit, and Jackie Robinson became its great American hero, as 24 (Warners) had a very strong $9.1M opening day.  Word of mouth should be on the...
by Mitch Salem
 

 
 

THE SKED’S FRIDAY NETWORK SCORECARD – 4/12/13

  No good news for the shows that most needed it. ABC:  The second week of HAPPY ENDINGS‘ Big Friday Dump was even worse than the first, its two half-hours scoring 0.8/0.6, down from last week’s 1.1/1.0.  Cre...
by Mitch Salem
 

 

 

FRIDAY APRIL 12 BOX OFFICE REPORT

Based on Friday’s grosses, Weekend #15 of 2013 is looking like $104 million for the top 12 films, down just a few percentage points from the same weekend in prior years.  Two films opened this weekend.  A sports drama p...
by Mitch Metcalf
 

 
 

THE SHOWBUZZDAILY REVIEW: “Upstream Color”

  UPSTREAM COLOR:  Worth A Ticket – But Not If You Require Coherent Plotting I’d be lying if I said I really knew what the hell was going on in UPSTREAM COLOR, and yet the experience of watching it was surpris...
by Mitch Salem
 

 

 

THE SKED PILOT REVIEW: “Da Vinci’s Demons”

  DA VINCI’S DEMONS:  Friday 9PM on Starz – If Nothing Else Is On… Starz has been searching for a signature original series it can call its own, especially now that Homeland has brought Showtime, arguabl...
by Mitch Salem
 

 
 

THE SKED’S THURSDAY NETWORK SCORECARD – 4/11/13

  With the other 3 networks in reruns, FOX and NBC prospered. FOX:  An “event” GLEE that dealt (albeit in a superficial, gimmicky way) with the issue of school shootings gave the show a 2.4, an increase of 0.4...
by Mitch Salem
 

 

 

THE SKED PILOT + 1 REVIEW: “Hannibal”

  HANNIBAL:  Thursday 10PM on NBC A lot can happen between the creation of a TV pilot in the spring and the production of episodes for the regular season: a writing/producing team is hired, audience focus groups weigh in,...
by Mitch Salem