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THE SKED CABLE NEWS: “Mad Men” Premieres Slightly Down, “Bates Motel” Books Another Season

  Six seasons in, it’s probably safe to say that the people who watch MAD MEN are the people who watch Mad Men, and the ratings for last night’s Season 6 premiere were by and large very steady with last year...
by Mitch Salem
 
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Articles

Weekly & Season to Date Network Ratings

Projected weekly network ratings in prime time (based on four days of official nationals and three days of fast nationals). Weekly Rating Apr 1-7 18-49 Rating vs Last Year CBS 2.68 -4% Up from 2.25 last week NBC 1.67 +7% Up sli...
by Mitch Metcalf
 
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Articles

THE SKED’S SUNDAY NETWORK SCORECARD – 4/7/13

  The night belonged to country music.   CBS:  With virtually no competition on any other network, the ACADEMY OF COUNTRY MUSIC AWARDS romped to a 4.3, easily winning the night and up from 3.1 last year.  However, w...
by Mitch Salem
 
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Reviews

THE SKED SEASON PREMIERE REVIEW: “Mad Men”

  MAD MEN:  Sunday 10PM on AMC And still–there’s MAD MEN.  Even in an era of unparalleled TV drama, nothing else on the air is quite like Matthew Weiner’s masterwork, a TV series that simply isn’t...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “House of Lies”

  Showtime’s HOUSE OF LIES was a bit more ambitious in its second season, and that was a good move, even if the results were uneven.  In its initial season, House was all too clearly a companion piece for Californic...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “Californication”

  In its sixth season, Showtime’s CALIFORNICATION barely tried to achieve forward motion.  Every year, occasional novelist and full-time satyr Hank Moody (David Duchovny) toys with reform (which barely lasts an epis...
by Mitch Salem
 
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Reviews

THE SKED SEASON FINALE REVIEW: “Shameless”

  In the post-Homeland era of Showtime, SHAMELESS, the network’s Parenthood on crack, has been pushed even farther to the background–and to be sure, the two shows aren’t comparable in terms of seriousness...
by Mitch Salem
 
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Articles

INTERNATIONAL BOX OFFICE through April 7

Updated International Box Office tracking chart:
by Mitch Metcalf
 
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Articles

BEHIND THE WEEKEND BOXOFFICE – 4/7/13

  OPENINGS:  EVIL DEAD (TriStar/Sony/FilmDistrict) took the weekend with $26M, and even though, based on Sunday results for other recent horror movies, that number may drop a bit with final figures tomorrow, it should en...
by Mitch Salem
 
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Articles

THE SKED: “Smash” Moves to Saturdays

  If there were any die-hards out there still nursing some flicker of hope that SMASH could survive its move to the basement of network television on Saturday nights, the ratings for its debut (which featured a fairly pain...
by Mitch Salem
 
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Articles

WEEKEND STUDIO ESTIMATES April 5-7

Based on Friday’s grosses, Weekend #14 of 2013 is looking a little weaker than it appeared yesterday but still ahead of prior years.  The top 12 films are looking like $127 million this weekend, now 10% above the same we...
by Mitch Metcalf
 
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Other

THE SKED REVIEW: “Saturday Night Live” with Melissa McCarthy

  SATURDAY NIGHT LIVE usually benefits from having a host with the confident comic talent that Melissa McCarthy brings to the table, but even with a 3-week hiatus in its pocket, the writing staff came up with little that w...
by Mitch Salem
 
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Articles

EARLY WEEKEND BOXOFFICE: “Evil Dead” Casts Its Spell

  Early Saturday boxoffice numbers at Deadline show no great surprises for the weekend’s offerings.  Any hope that EVIL DEAD (TriStar/Sony/FilmDistrict) would have the staying power of a Mama faded with the demon-fi...
by Mitch Salem
 
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Pilot + 1

THE SKED PREMIERE + 1 REVIEW: “Orphan Black”

  ORPHAN BLACK:  Saturday 9PM on BBCAmerica The second hour of BBCAmerica’s ORPHAN BLACK continued to keep up the pace while gradually revealing its secrets.  The very hardworking Tatiana Maslany this time got to a...
by Mitch Salem
 
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Current Release

THE SHOWBUZZDAILY REVIEW: “Evil Dead”

  EVIL DEAD:  Watch It At Home – Plenty of Icky, Not So Much Scary A slick, Hollywood-budgeted remake of Sam Raimi’s 1981 EVIL DEAD (actually there was a ‘the” in front of that one, the definite ar...
by Mitch Salem
 
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