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SHOWBUZZDAILY’s Wednesday 11.30.2022 Top 150 Cable Originals & Network Finals UPDATED

  Note that the Wednesday cable chart has been revised from the version posted this morning, which as many of you noted (for the most part courteously) was in error. BROADCAST FINALS ABC:  Returning from a rerun week, THE...
by Mitch Metcalf
 
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THE SKED’S PILOT + 1 REVIEW: “Up All Night”

>   A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which ...
by Mitch Salem
 
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THE SKED’S WEDNESDAY NETWORK SCORECARD – 12/14/11

> Viewers continue to be uninspired by the network offerings:  with one exception, season lows were the order of the evening. CBS:  CSI benefited from a repeat SVU on NBC and no Revenge on ABC, and scored its second-b...
by Mitch Salem
 
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The Sked: WEDNESDAY RATINGS March 21

>FOX declined again last night as American Idol continues to erode.  However, viewers didn’t shift to the network competition as CBS was down a touch and ABC, as expected, was down significantly (repeats this week ve...
by Mitch Metcalf
 
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The Sked: WEDNESDAY RATINGS May 30

With the NBA conference finals continuing last night and History’s hit mini-series Hatfields & McCoys ending its short run last night, the best the broadcast networks could muster was a 2.6 Adult 18-49 rating for FO...
by Mitch Metcalf
 
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The Sked: Wednesday Week Three

Two new shows premiered last night, both at 10 pm: Nashville (2.8 Adult 18-49 rating on ABC) and Chicago Fire (1.9 on NBC).  More on the individual shows below in the network sections, but looking at the networks’ ov...
by Mitch Metcalf
 
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THE SKED’S WEDNESDAY NETWORK SCORECARD – 7/10/13

  Some viewers spent the night at Camp… but see below. NBC:  Per Mitch Metcalf:  on the surface, a fairly good debut for Camp at 10PM last night (a time period-winning 1.5 rating with adults 18-49).  However, ple...
by Mitch Salem
 
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The Sked: WEDNESDAY Ratings

Wednesday preliminary broadcast ratings:
by Mitch Metcalf
 
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SHOWBUZZDAILY NETWORK SCORECARD – 10.1.2014

  BLACK-ISH had a merely OK hold in its 2d week. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment) Wednesday, the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 r...
by Mitch Metcalf
 
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SHOWBUZZDAILY WEDNESDAY NETWORK SCORECARD – 5.13.2015

AMERICAN IDOL underscored why next season will be its last. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratin...
by Mitch Metcalf
 
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SHOWBUZZDAILY WEDNESDAY NETWORK SCORECARD – 12.23.2015

  A night for classics, old and new. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skew...
by Mitch Metcalf
 
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SHOWBUZZDAILY’s Wednesday 11.17.2021 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC:  Returning from a week off, THE GOLDBERGS slipped 0.02 to 0.57, THE WONDER YEARS ticked down to 0.40, THE CONNERS was down 0.02 to 0.50, and HOME ECONOMICS reversed the trend and rose 0.06 to 0.36....
by Mitch Salem
 
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SHOWBUZZDAILY’s Wednesday 7.6.2022 Top 150 Cable Originals & Network Finals UPDATED with Broadcast

  BROADCAST FINALS ABC:  Reruns at 0.29/0.24/0.20/0.17/0.21. CBS:  The season premiere of BIG BROTHER was at 0.81, down 0.27 from the 2021 premiere.  The broadcast series premiere of THE CHALLENGE was at 0.41. NBC:  Re...
by Mitch Metcalf
 
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SHOWBUZZDAILY’s Wednesday 2.15.2023 Top 150 Cable Originals & Network Finals UPDATED

  BROADCAST FINALS ABC;  THE CONNERS dropped 0.08 to 0.47.  THE GOLDBERGS aired for the first time since January 18, down 0.02 to 0.33.  ABBOTT ELEMENTARY fell 0.09 to 0.47, and NOT DEAD YET was at 0.31 compared to last...
by Mitch Salem
 
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THE SKED’S PILOT + 1 REVIEW: “American Horror Story”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem
 
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