With summer blockbuster season just days away, none of the studios brought their A game this weekend.  KEANU (New Line/Warners) isn’t going to do for Keegan Michael-Key and Jordan Peele what Trainwreck did for Comedy Central colleague Amy Schumer:  Trainwreck earned $10.7M on its opening day, and based on preliminary numbers at Deadline, Keanu […]

  AVENGERS: INFINITY WAR (Marvel/Disney) exists on that rarefied box office plane where even a reported $450M in production/marketing costs can be waved off in comparison to the certain returns to come.  Deadline is reporting its opening day at $104M ($39M from Thursday night), which would be just slightly the #3 opening day in US […]

  THE LEGO MOVIE 2: THE SECOND PART (Warners Animation) is looking like a textbook example of a studio watering down its own franchise.  Warners jumped into 2 spin-offs before even reaching its first official sequel, and the result according to early numbers at Deadline is a $8.9M opening day, down 48% from the first […]

> UPDATE: Deadline has a clearer picture of the day’s boxoffice, and THE HELP is already having a superb weekend, leading the day with $5.7M, down a tiny 25% from last week.  If this number holds, its full weekend could reach $19-20M, which would give it a total of $70M+ and a clear path to […]

> According to preliminary numbers at Deadline, the weekend is looking auspicious for Mark Wahlberg’s CONTRABAND.  The modestly budgeted thriller (which, however, Universal has been expensively marketing for a solid month) is reporting a $7.7M Friday, which could mean $25-28M over the 4-day holiday weekend. Disney’s 3D re-release of BEAUTY AND THE BEAST is also […]

  Unless the world comes to an abrupt end in the next few hours, THE DARK KNIGHT RISES is going to start earning more money than The Joker set on fire in the last Batman film.  But how much?  Can Rises set records this weekend?  Our resident expert says probably not, because Christopher Nolan’s film […]

  Reading fragmentary Thursday night tea leaves to predict weekend boxoffice is a dicey business, particularly because in our post-Aurora era, those numbers now include showings as early as 9PM in addition to the once-traditional 12:01AM screenings.  So the $2M earned by OZ THE GREAT AND POWERFUL (Disney) last night can be parsed in several […]

  The young, fanatically committed audience for ONE DIRECTION: THIS IS US (Sony) is the very definition of probable frontloading, so it’s no surprise that the concert doc debuted with a strong $2.7M last night at 7PM, the best Thursday night result since The Conjuring a month ago.  That’s almost as much as the full […]