The real world, in the form of terrible reviews and dim word of mouth, caught up with BATMAN V. SUPERMAN: DAWN OF JUSTICE (DC/RatPac/Warners) on Friday. Actually, the signs had been there since midweek, although Warners and its box office pets had obscured the fact for a few days by comparing the daily results […]
There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood. His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies to Harry Styles) but riding a tide of Oscar-level reviews, is already overperforming expectations with a $19.8M opening day (including $5.5M […]
MISS BALA (Columbia/Sony) is the only new opening this Super Bowl weekend, but it’s failing to take advantage of its status. Deadline‘s preliminary numbers have Miss Bala‘s opening day at $2.7M ($650K of that from Thursday night), and with Sunday’s box office due to crash for everyone, it may not reach $7M for the […]
> After a nice Friday bump, TRANSFORMERS: DARK OF THE MOON took a small step backwards yesterday, with a lower % of increase than either of its predecessors had on their first Saturdays. As Mitch Metcalf noted in his piece on holiday weekend boxoffice, films in general should benefit from smaller than usual declines today, […]
BRAVE (Pixar/Disney), of course, continued its victorious march through the weekend’s boxoffice on Saturday. According to preliminary numbers at Deadline, the animated fantasy fell a small 4% on its 2d day of release, to $23.6M. That’s in line with the 1st 2 days of WALL-E, and should mean a weekend around $66-68M. It won’t be […]
If preliminary numbers at Deadline hold, GRAVITY (Warners) will own the new record for all-time best October opening. It had a superb $23.5M Saturday, up 35% from its $17.5M opening day, for what should be a $55M+ weekend. That would handily break the current October record of $52.6M for Paranormal Activity 3. More importantly, […]
TEENAGE MUTANT NINJA TURTLES (Paramount) held very well on its second day of release, according to preliminary numbers at Deadline and elsewhere. Its Day 2 drop was in the neighborhood of 15%, which is about as well as Guardians of the Galaxy held last week (down 18%). despite the huge advantage Guardians seemed to have […]
GET OUT (Blumhouse/Universal) is the latest hit from the prolific low-budget horror production company that still has Split in the market, off to a fast start according to preliminary numbers at Deadline with $10.5M on Friday (including $1.8M from Thursday night). Unlike most titles in the genre, Get Out also boasts terrific reviews (an […]