This weekend is looking like a battle of the family films, with no clear victor at this point.  THE BOSS BABY (DreamWorks Animation/20th) is performing quite a bit better than expected, with preliminary numbers at Deadline giving it nearly $15M on Friday (including $1.5M from Thursday night), which should lead it to a $50M […]

  This weekend’s boxoffice is something like a dead heat in a $5000 claiming race at a second-rate track.  According to preliminary numbers at Deadline, TROUBLE WITH THE CURVE (Warners), END OF WATCH (Open Road) and HOUSE AT THE END OF THE STREET (Relativity) are all claiming identical $13.2M totals for the weekend.  This means […]

The “kids” didn’t show up for MEN IN BLACK 3 (Sony) on Saturday–it was wishful thinking to believe they would, considering the franchise’s decade-long absence–and the result, according to preliminary numbers at Deadline, was a very mild Friday-to-Saturday bump under 10%.  That puts the picture on track for a 4-day holiday weekend of $67-70M, just […]

  After its history-making $120.5M opening day, there were two pre-existing Saturday models that STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney) could have followed.  The final Harry Potter was so front-loaded that it crashed by 53% from Friday to Saturday.  On the other hand, Jurassic World gently declined by 15%, similar to the 14% drop for […]

  DEC. 26 UPDATE:  A mere adjustment to overaggressive estimation or an early sign, in this instant word-of-internet age, that audiences aren’t having a good time?  The major change from last night’s early numbers is that THE WOLF OF WALL STREET slipped to $9.2M, falling behind THE HOBBIT: THE DESOLATION OF SMAUG for 2d place […]

  HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out.  Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), and its 68% Rotten Tomatoes score is comparable to Split‘s 74%.  That film had a 2.7x weekend multiple, and even if Happy […]

  After a summer of fizzled franchise movies, audiences were–pardon the expression–hungry for something new, and the unquestionably unique, hard-R existential talking food cartoon SAUSAGE PARTY (Annapurna/Columbia/Sony) is satisfying that appetite.  According to preliminary numbers at Deadline, Sausage is going to win Friday with $13.3M ($3.3M from Thursday night shows), although it’s likely to be […]

> Deadline has early Saturday and weekend estimates, but they don’t clarify much.  As of right now, the claim is that COWBOYS AND ALIENS is at $26.2M for Friday/Saturday, with THE SMURFS at $25.9M.  If those numbers hold, logic would say that Smurfs should have the upper hand with its family Sunday matinee audience, but […]