THE DARK KNIGHT RISES (Warners) had a solid Saturday and no trouble at all beating the new competition in its 3d weekend of release.  According to preliminary numbers at Deadline, Rises should have a $36.2M weekend, a 42% decline from last weekend that’s slightly better than the 43% Weekend 3 drop for The Dark […]

  HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out.  Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), and its 68% Rotten Tomatoes score is comparable to Split‘s 74%.  That film had a 2.7x weekend multiple, and even if Happy […]

  2018, as is often the case, is kicking off at the box office, with low-budget horror, and according to preliminary numbers at Deadline, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) easily took Friday with $12.5M (including $2M from Thursday night).  That’s a very solid number, not up to the $16.8M for January 2012’s The Devil Inside, […]

  DON’T BREATHE (Screen Gems/Sony) is the 2d horror movie of the late summer, after Lights Out, to benefit from an effectively marketed premise (monsters in the dark and the quiet) and strong reviews.  According to preliminary numbers at Deadline, Breathe is starting even faster than Lights, with a $10.2M opening day (including $1.9M from […]

  There don’t appear to be many surprises in the Friday box office numbers, based on preliminary estimates at Deadline.  As usual, ticket sales declined on Thanksgiving itself (particularly for family movies), then surged on Friday, and the results were largely in line with Wednesday’s form. MOANA (Disney Animation) wasn’t able to keep up its […]

> Deadline has some early Saturday and weekend numbers, the highlight of which is that REAL STEEL is claiming a 40% Saturday bump, which would lead it to a $29M weekend, somewhat higher than expected.  Since Steel is a family movie, a big increase for matinees is possible, but we’ll see if it bears out […]

  Although some films have opened well against the Super Bowl, both counterprogramming (the Hannah Montana concert movie and Dear John) and playing toward the action genre (Taken and Chronicle), as a rule the studios stay away, and that was the case this year.  The only wide opening was the low-budget horror flick WINCHESTER (CBS/Lionsgate), […]

  THE MAZE RUNNER:  DEATH CURE (20th) will win the weekend, although not in particularly impressive fashion.  According to preliminary numbers at Deadline, its opening day was $8.4M (including $1.5M from Thursday night), down from the $11.3M start for the first Maze Runner, and the $11M for Scorch Trials.  It should have $23.5M by Sunday, […]