TEENAGE MUTANT NINJA TURTLES (Paramount) held very well on its second day of release, according to preliminary numbers at Deadline and elsewhere. Its Day 2 drop was in the neighborhood of 15%, which is about as well as Guardians of the Galaxy held last week (down 18%). despite the huge advantage Guardians seemed to have […]
If preliminary weekend numbers at Deadline hold, THE WORLD’S END (Focus/Universal) will be a bit more frontloaded than it would have liked, slipping 10% from Friday to Saturday for $3.1M on its second day, and a bit behind THE MORTAL INSTRUMENTS: CITY OF BONES (Screen Gems/Sony) for the title of weekend’s biggest opening, with Mortal […]
Hollywood generally has little interest in opening films against the Super Bowl, and to the extent it participates, it tries to counterprogram the game by aiming at the young female demographic. Thus we have a PG-13 horror movie and a YA fantasy-romance this weekend, but neither is finding much of an audience. RINGS (Paramount) […]
Even bigger than Gaston after five dozen eggs, BEAUTY AND THE BEAST (Disney) is coming in at the highest level of projections, and may be poised for the largest pre-May weekend in history. Preliminary numbers at Deadline have opening day at $65.3M (including $16.3M from Thursday night), and while that’s below the $81.6M first day […]
After AVENGERS: ENDGAME (Marvel/Disney) torched the record books last weekend, the remaining question was whether it would have the stamina to challenge the biggest records of them all, The Force Awakens in the US ($936.7M) and Avatar worldwide ($2.79B). It’s not clear after Friday whether this weekend will answer that in a definitive way. […]
After a few mild weeks, INCREDIBLES 2 (Pixar/Disney) has the summer box office back in blockbuster mode. It’s on pace to easily break Finding Dory‘s $135.1M animation opening record. According to preliminary numbers at Deadline, Incredibles 2 had a massive $69M Friday (including $18.5M from Thursday night), far better than Dory‘s $54.7M. If business […]
Half a dozen films entered wide release over the Martin Luther King holiday weekend, and none of them is likely to chart higher than 5th place, most ranging from major disappointments to outright disasters. The most unpleasant surprise may be PATRIOTS DAY (CBS/Lionsgate), a piece of populist history with Mark Wahlberg in the lead […]
THE MUMMY (Perfect World/Universal) is a disaster, although the studio and its minions will try to spin otherwise through the course of the weekend. According to preliminary numbers at Deadline, it earned $12M on opening day ($2.7M of it from Thursday night), which puts it in line for a $30M weekend and a US […]