WONDER WOMAN (RatPac/Wanda/Ten Cent/DC/Warners) is proving to be exactly what its studio–and the summer box office in general–needed.  For Warners, it’s giving the embattled DC mega-franchise its first taste of critical praise since the days of The Dark Knight, which is important in itself, and that’s paying off in ticket sales.  Preliminary numbers at […]

  The studios remained largely averse to going wide on the weekend before The Last Jedi devours the universe.  JUST GETTING STARTED (Broad Green) was thrown with little ceremony and no advance reviews into 2161 theatres, and according to preliminary numbers at Deadline, it had a dismal $1.1M on Friday, which with word of mouth […]

> Deadline has preliminary Saturday boxoffice numbers, and IMMORTALS seems to have followed the fanboy-genre pattern of extreme front-loading, with a 2d day reported as $10.6M, down 25% from Friday.  It should still win the weekend easily with a $30-32M total, but considering the much bigger movies about to flood the market, it’s unlikely to […]

  THE DARK KNIGHT RISES (Warners) had a solid Saturday and no trouble at all beating the new competition in its 3d weekend of release.  According to preliminary numbers at Deadline, Rises should have a $36.2M weekend, a 42% decline from last weekend that’s slightly better than the 43% Weekend 3 drop for The Dark […]

  ALADDIN (Disney) marked a rebound from the opening day of Dumbo, with preliminary numbers at Deadline projecting $30.8M on Friday (including $7M from Thursday afternoon/evening), compared to $15.3M for Dumbo.  The Memorial Day holiday will provide an extra boost, so the 3-day weekend should be around $86M, with $106M by Monday.  Aladdin wasn’t cheap, […]

  Preliminary figures at Deadline give THE BUTLER (Weinstein) a commanding victory over its competition.  Very impressively, on Saturday Butler reportedly increased its take by about 10% over Friday, putting it on target for a $23-25M weekend (The Weinstein Company, which has never been shy about aggressively estimating its weekends, could make a run for […]

  And now we know which was more front-loaded. OPENINGS:  According to preliminary numbers at Deadline, TED (Universal) fell 10-15% from Friday to Saturday, which is about the same way the original Hangover played.  The weekend should still get to at least $50M, ahead of Hangover, making it potentially the highest-opening original R-rated comedy ever. MAGIC MIKE […]

  Nothing changed very much from Friday to Saturday at the boxoffice.  OZ THE GREAT AND POWERFUL (Disney) will more than double its nearest competition, following its $11.4M Friday with, according to preliminary numbers at Deadline, a $18.8M Saturday.  If that number holds, it’ll be a 65% Saturday bump, better than the 56% Alice In […]