The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns.  The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M.  That should give it a $21M 3-day weekend and around $30M since opening day.  A $70M […]

  The MCU continues to be America’s uber-franchise, as SPIDER-MAN: FAR FROM HOME (Columbia/Sony) became the first summer mega-movie in several weeks to fully live up to expectations.  Few films have opened on the Tuesday before a Thursday July 4th, so comparisons aren’t exact, but Far From Home earned $91.5M on its Tuesday-Thursday (The Amazing […]

> The news didn’t get any better for Hollywood on Saturday.  In fact, according to preliminary numbers at Deadline, the downhill ride got steeper for SHERLOCK HOLMES:  GAME OF SHADOWS.  The film had virtually no increase from Friday to Saturday, and if those numbers hold, its full weekend tally will probably be around $40M, below […]

  Movie ticket sales were down significantly on December 31, as audiences found other things to do with their New Year’s Eves, but the results still gave Les Miserables a symbolic turnaround, putting it back in 2d place after a weekend behind Django Unchained.  Business should zoom today for the holiday finale, before settling into mundane […]

  CAPTAIN AMERICA: THE WINTER SOLDIER (Disney) declined about 10% to as much as $34M on Saturday, according to preliminary numbers at Deadline, which should give it a $95M opening weekend, the best April opening ever.  By way of comparison, the previous April record-holder Fast Five dropped 13% on its second day (for a $86.2M […]

  JURASSIC WORLD (Legendary/Universal) is stomping past even the the highest expectations for its opening.  According to preliminary numbers at Deadline, its opening day was a stupendous $78.6M (including $18.5M from Thursday night), giving it the biggest June box office day ever by far, easily passing the $68.5M for Twilight: Eclipse, and in line for […]

  INFERNO (LStar/Columbia/Sony) was expected to earn less than The Da Vinci Code ($217.5M US/$540.7M overseas) and Angels & Demons ($133.4M/$352.6M), which is why Sony spent $75M less to produce the new film.  But that still leaves $200M in production/marketing costs, and Inferno is flopping too badly to have much chance of profit.  According to […]

  Although some films have opened well against the Super Bowl, both counterprogramming (the Hannah Montana concert movie and Dear John) and playing toward the action genre (Taken and Chronicle), as a rule the studios stay away, and that was the case this year.  The only wide opening was the low-budget horror flick WINCHESTER (CBS/Lionsgate), […]