WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +3% above last year and +4% above the average for this point the past four years ($4.194 billion).  Over the same period, Hollywood films have grossed almost $11.8 billion worldwide when we add overseas box office […]

  PIXELS (Columbia/Sony) was marketed on its high concept rather than as an Adam Sandler star vehicle, perhaps reflecting not just Sandler’s dwindling value, but the shuttering of his long-term acting relationship with the studio as he moves to Netflix.  The result was better than some of Sandler’s recent flops, but far from exciting:  according […]

WORLDWIDE STUDIO SCORECARD.     YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +6% above last year and still +2% above the average for this point the past four years ($6.833 billion).  Over the same period, Hollywood films have grossed $18.1 billion worldwide when we add overseas box office (that’s […]

  OPENINGS:  Here’s the crazy thing about the official record-busting $238M weekend estimate for STAR WARS: THE FORCE AWAKENS (Lucasfilm/Disney), which smashed the previous weekend record by more than 12%, and nearly tripled the prior December record:  it’s on the conservative side.  Flying in the face of most studio behavior in reporting opening weekends, Disney […]

  OPENINGS:  It was only 20 years into their career, with 2007’s No Country For Old Men ($74.3M in the US) that Joel and Ethan Coen began to be considered box office forces, and even after that, only True Grit (their biggest hit at $171.2M) even matched No Country.  All of which is by way […]

  OPENINGS:  JASON BOURNE (Perfect World/Universal) is claiming a $60M US start, although as is par for the course, that number includes an aggressive Sunday estimate and could come down a bit on Monday.  In any case, it will be the #2 opening for the franchise, behind the $69.3M for 2007’s Bourne Ultimatum.  That film […]

  Both of the weekend’s major openings cost too much for the amount they’re currently earning.  MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) has production/marketing costs of $225M+, and preliminary numbers at Deadline have its opening day at roughly $9M (including $1.2M from Thursday night).  That suggests a $25-27M weekend, which would be an even […]

  OPENINGS:  For ROGUE ONE (Lucasfilm/Disney), massive success was taken for granted, and the question was how big a standalone spin-off entry in the Star Wars canon could be.  The answer is pretty damn big:  its $155M US opening weekend is the 12th highest ever, and #3 for the year (behind $179.1M for Captain America: […]