OPENINGS:  It was only 20 years into their career, with 2007’s No Country For Old Men ($74.3M in the US) that Joel and Ethan Coen began to be considered box office forces, and even after that, only True Grit (their biggest hit at $171.2M) even matched No Country.  All of which is by way […]

  OPENINGS:  JASON BOURNE (Perfect World/Universal) is claiming a $60M US start, although as is par for the course, that number includes an aggressive Sunday estimate and could come down a bit on Monday.  In any case, it will be the #2 opening for the franchise, behind the $69.3M for 2007’s Bourne Ultimatum.  That film […]

  Both of the weekend’s major openings cost too much for the amount they’re currently earning.  MISS PEREGRINE’S HOME FOR PECULIAR CHILDREN (TSG/20th) has production/marketing costs of $225M+, and preliminary numbers at Deadline have its opening day at roughly $9M (including $1.2M from Thursday night).  That suggests a $25-27M weekend, which would be an even […]

  OPENINGS:  For ROGUE ONE (Lucasfilm/Disney), massive success was taken for granted, and the question was how big a standalone spin-off entry in the Star Wars canon could be.  The answer is pretty damn big:  its $155M US opening weekend is the 12th highest ever, and #3 for the year (behind $179.1M for Captain America: […]

WORLDWIDE STUDIO SCORECARD.  Here is our first look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +1% above last year and now +10% above the average for this point the past four years ($1.257 billion).  Over the same period, Hollywood films have grossed […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is now +7% above last year and now +15% above the average for this point the past four years ($3.166 billion).  Over the same period, Hollywood films have grossed over $10.7 […]

  There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood.  His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies to Harry Styles) but riding a tide of Oscar-level reviews, is already overperforming expectations with a $19.8M opening day (including $5.5M […]

  HAPPY DEATH DAY (Blumhouse/Universal) continued a remarkable year for Blumhouse, following the giant successes of Split and Get Out.  Deadline has its Friday at a preliminary $11.3M (including $1M from Thursday night), and its 68% Rotten Tomatoes score is comparable to Split‘s 74%.  That film had a 2.7x weekend multiple, and even if Happy […]