OPENINGS:  MIDWAY (AGC/Bona/Lionsgate) was mildly ahead of expectations with $17.5M in the US, and it should perform well on Veterans Day Monday.  However, with around $150M in production and worldwide marketing costs, a $60M US total would leave it with a steep uphill climb to reach profitability.  Early overseas results weren’t particularly promising at […]

  OPENINGS:  In the US, ONWARD (Pixar/Disney) was merely a disappointment by Pixar standards, with an OK 37% Saturday bump that allowed it to claim a $40M weekend, pending actuals on Monday.  That isn’t much better then the $34.7M launch for last year’s Lego Movie 2, and it’s far off last March’s $55M for How […]

  OPENINGS:  RAYA AND THE LAST DRAGON (Disney, also on Disney+) launched with $8.6M in theatres, and while it also earned (undisclosed) income from super-premium VOD through Disney+, that number was notably lower than last week’s $14.1M for Tom & Jerry, which premiered simultaneously on HBO Max.  Raya was supposed to benefit from the reopening […]

  OPENINGS:  The major studios took the weekend off in anticipation of next week’s The Batman overwhelming the market.  STUDIO 666 (Open Road) didn’t find much of a crowd for its Foo Fighters horror with a $1.6M weekend, and it probably won’t reach $10M in the US. CYRANO (UA/MGM) may have outsmarted itself, scheduled for […]

  OPENINGS:  ONE PIECE FILM: RED (Crunchyroll/Sony) opened at $9.5M, on the low end of recent national anime releases compared to Jujutsu Kaisen‘s $18M and Dragon Ball Super‘s $21.1M.  As is typical for the genre, it was extremely frontloaded, earning more than 50% of its weekend total by the end of Friday.  However, its US […]

>Ah, the dog days of summer in August.  It’s the time when studios start dumping movies.  Sure there can be a surprise in this month (see District 9 two years ago this weekend), but the lower box office volume in August simply works against most films succeeding.  A quick look at the numbers: a typical […]

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]

>The tenth weekend of the year should generate about $122 million for the top 12 films, a slightly better than normal weekend for the second weekend in March — up 4% from last year’s comparable weekend and up 10% from the four-year average for this weekend.  John Carter will be the top opener, but it […]