The weekend after Christmas offers three new films that opened Tuesday the 25th and a critical darling that went semi-wide on that day.  Les Miserables and Django Unchained are turning around the 2012 holiday season, while the other two new films are making little impact. Now playing at 2,808 theaters, Les Miserables from Universal opened with $18.1 […]

The 27th weekend of the year is looking like an excellent $218 million for the top 12 films, up 20-35% from the comparable weekend the last few years. Opening at around 3,900 theaters Wednesday (well above the top 10% theater count for opening weekend wide releases of 3,690 theaters), Despicable Me 2 from Universal should average $20,000 per theater for the three-day weekend […]

  The last time Halloween fell on a Saturday, in 2009, Hollywood mostly stayed away.  (The concert movie This Is It opened the previous Wednesday.)  This year, two studios tried to counterprogram the holiday with problematic star vehicles, and based on preliminary numbers at Deadline, the results weren’t pretty. BURNT (Weinstein) has been conspicuous for […]

This weekend is poised to be the third solidly up weekend in a row.  Five films open this weekend, with four boasting positive critical acclaim and two in rave territory.  None looks to be a big commercial hit, but the total business for the openers combined with very good returning box office for Taken 2 […]

The weekend predictions will return next week, when Exodus: God and Kings and Top Five are released nationally.  This weekend, typical for the post-Thanksgiving weekend, is extremely quiet.  Only The Pyramid is opening at a very small 589 theaters.

  2018, as is often the case, is kicking off at the box office, with low-budget horror, and according to preliminary numbers at Deadline, INSIDIOUS: THE LAST KEY (Blumhouse/Universal) easily took Friday with $12.5M (including $2M from Thursday night).  That’s a very solid number, not up to the $16.8M for January 2012’s The Devil Inside, […]

  The enduring respect and admiration for Get Out, and its own enthusiastic reviews, are pushing Jordan Peele’s US (Blumhouse/Perfect World/Universal) way past expectations.  According to preliminary numbers at Deadline, opening day was $28.6M (including $7.4M from Thursday night), which means that in one day, Us has already earned more than 85% of Get Out‘s […]

  OPENINGS:  At $6.5M, THE POSSESSION OF HANNAH GRACE (Screen Gems/Sony) performed adequately for a low-budget horror item placed in one of the lower-grossing weekends of the year.  Possession also earned $4.1M in 17 international territories, the start of a release that will extend into early 2019.  It has around $30M in production and worldwide […]