HOLDOVERS:  Pandemic box office champion SPIDER-MAN: NO WAY HOME (Marvel/Columbia/Sony) had no trouble keeping its throne over New Year’s weekend, down 38% to $52.7M, with a running US total of $609.9M.  The January ahead is sparse on competition, so the film should top $700M, which will make it the #2 MCU title in the […]

The 50th weekend of the year is looking like $160 million for the top 12 films Friday-Sunday, a very good kick-off to the holiday movie season. Opening at around 3,900 theaters Friday (well above the 2,886 average theater count for opening weekends the last two years), The Hobbit: The Desolation of Smaug from Warner Brothers should average a very good $21,200 per […]

Weekend #4 of 2016 is looking like $118 million for the top 12 films this weekend (see comparisons below). Dirty Grandpa from Lionsgate should open with $12.0 million Friday-Sunday. The film is on track for around $31 million domestic in its run. Overseas the film could bring in $18 million, giving it a worldwide box office target of $49 million. […]

  Word of mouth on FANTASTIC FOUR (20th) is going to be deadly (the exit polls are dismal, and since they survey ticketbuyers enthusiastic enough to show up on the first day of release, lesser fans are likely to consider it even worse), probably sealing its fate as one of the biggest flops of the […]

  The gamble of CRAZY RICH ASIANS (Color Force/SK Global/Warners) is paying off with solid returns.  The film opened on Wednesday and earned $8.8M in its first two days, and preliminary numbers at Deadline have its Friday at $7M.  That should give it a $21M 3-day weekend and around $30M since opening day.  A $70M […]

Weekend #35 of 2014 is looking like $95 million for the top 12 films this weekend, up 11% from the norm for this weekend and on track to be the fifth up weekend in a row after six straight down weekends. Opening at around 2,500 theaters Friday (below the 2,886 average theater count for opening […]

  OPENINGS:  There were no new wide openings on this pre-holiday season weekend in the US, but things were busier overseas.  AQUAMAN (DC/Warners), which won’t arrive in the US until December 21, launched in China with a huge $93.6M, the best start for any Warner Bros film in that country, and almost as much as […]

  OPENINGS:  CRAWL (Paramount) may be an example of a studio outsmarting itself.  Paramount held no critics screenings, presumably because disdain was expected, and thus was unable to create any advance buzz around a response that turned out to be remarkably enthusiastic (88% on Rotten Tomatoes).  The result was a tepid $12M opening, and since […]