The other studios didn’t try very hard to compete with the second weekend of CAPTAIN MARVEL (Marvel/Disney), and the blockbuster will have no trouble repeating as #1 this week.  According to preliminary numbers at Deadline, the Friday-to-Friday drop was 70% (to $18.8M), which sounds like a lot, but is fairly standard for the genre.  […]

  GLASS (Blinding Edge/Blumhouse/Buena Vista Intl/Universal) will easily win this MLK Weekend, but it’s not shaping up as the phenomenon it was envisioned to be–and we’ll see over the next few days whether it has a word of mouth problem.  According to preliminary numbers at Deadline, it had a $16.3M Friday (including $3.7M from Thursday […]

>The fifth weekend of the year should generate about $84 million for the top 12 films — up 15% from last year’s comparable weekend but down a similar percentage from a “normal” weekend this time of year.  Three new films open this weekend to positive reviews, but none of the three should gross more than […]

The 38th weekend of the year is looking like a wobbly $71 million for the top 12 films, down 19% from the $89 million multi-year average for this weekend. Opening at over 3,100 theaters Friday (above the 2,886 average theater count for opening weekends the last two years), Prisoners from Warner Brothers should average $5,900 per theater for the weekend (for […]

  Warner Bros and Peter Jackson are very, very lucky that THE HOBBIT: THE DESOLATION OF SMAUG is a significantly better movie than last year’s An Unexpected Journey, which will give it strong word of mouth, because early box office indications are that audiences, burned by Journey, are initially dubious about spending 3 more hours […]

  OPENINGS:  THE LION KING (Disney) was expected to be the crown jewel in Disney’s recreations of its animated classics, and despite sharply mixed reviews, it delivered with a $185M opening weekend–and that studio estimate includes a fairly conservative number for Sunday, so it could go higher in finals.  If it stays at $185M, it […]

  OPENINGS:  CLIFFORD THE BIG RED DOG (Nickelodeon/Paramount, also on Paramount+) opened on Wednesday and earned $22M over 5 days, $16.4M of it over the weekend.  That’s somewhat above the $13.1M start for Paw Patrol, which was also simultaneously released on Paramount+ and opened on a Friday.  Paw Patrol totaled $40.1M in the US, and […]

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]