OPENINGS: According to published reports, Emma Watson’s deal on BEAUTY & THE BEAST (Disney) starts at a $3M base, but rises to $15M if the film reaches around $750M worldwide. It seems like Watson can safely buy any Lamborghini that’s caught her eye, because Beauty is a global blockbuster. In the US, Disney’s $170M […]
FANTASTIC BEASTS AND WHERE TO FIND THEM (Warners) wasn’t expected to touch the $60-90M opening day territory of the latter Harry Potter movies, since Fantastic is a spin-off that doesn’t include any of the major Potter characters. But preliminary numbers at Deadline have it at $29.4M, lower than any of the Potters, and even […]
Weekend #22 of 2014 is looking like a solid $172 million for the top 12 films this weekend, 26% above the norm for this weekend and 7% above the same weekend last year. Opening at over 3,800 theaters Friday (well above the 2,886 average theater count for opening weekends the last two years), Maleficent from Disney should average […]
Based on preliminary numbers at Deadline, MOANA (Disney Animation) is going to have a dominant and perhaps even historic Thanksgiving weekend. Disney’s latest blockbuster blew past predictions with a $15.4M opening day (including $2.6M from Tuesday night). That’s better than the $15.2M earned by Frozen (which technically was in its 2d week of release, […]
The 13th weekend of 2013 looks like it will be even with the pace for the comparable weekend the past few years. The top 12 films Friday-Sunday should total about $144 million. Opening at a very high 3,719 theaters Thursday, G.I. Joe: Retaliation from Paramount should average a solid $10,300 per theater for the weekend (for a […]
OPENINGS: The answer to the question of whether the Day 2 drop for SUICIDE SQUAD (RatPac/DC/Warners) would be as bad as the one for Batman v Superman turned out to be no–it was worse. Suicide plunged 41% on Saturday, compared to BvS‘s 38%. That’s the kind of drop usually associated with the hugely-frontloaded Twilight series, […]
OPENINGS: HAPPY DEATH DAY (Blumhouse/Universal) opened so well at $26.5M that inevitably, despite the fact that it appears to tell a completely closed-end story, talk of a franchise has started. You can’t blame them: Death Day isn’t quite at the blockbuster level of Blumhouse’s Split ($40M) or Get Out ($33.4M), but it’s starting better […]
OPENINGS: ELVIS (Warners) opened at the higher end of low expectations with $30.5M. That technically put it into a dead heat with Top Gun: Maverick for the weekend crown, although that’s misleading because like virtually all big-studio openings, Elvis essentially had a 4-day opening, while Maverick‘s weekend didn’t get to count any of its […]