The weekend box office race may end up being quite close once matinees come into play, but NIGHT SCHOOL (Perfect World/Universal) took Friday, with preliminary numbers at Deadline putting it at $9.3M for the day (including $1.4M from Thursday night). That’s below the $13M Friday for Kevin Hart’s Central Intelligence, and $12.9M for Get […]
The preliminary numbers at Deadline confirm the expected: PAN (RatPac-Dune/Warners) is a box office catastrophe in the making. Its $5.2M opening day (which includes $650K from Thursday night) is less than half the first day of Fantastic Four ($11.3M), and although as a family-oriented movie it may bounce back a bit on Saturday (and […]
Weekend #39 of 2014 is looking like $97 million for the top 12 films this weekend, up 3% from the norm for this weekend. Opening at around 3,234 theaters Friday (above the 2,886 average theater count for opening weekends the last two years), The Equalizer from Sony should average a solid $10,600 per theater for the […]
OPENINGS: DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M. (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.) Its lack of awards traction thus far suggests that it’s going to have a hard time building any momentum for a run through the […]
OPENINGS: It’s very possible that the news is going to get even worse for THE HAPPYTIME MURDERS (H Brothers/Black Bear/STX), which is grimly insisting on a studio estimate of the best Sunday hold in the weekend’s Top 10 to claim a $10M opening–even after dropping 15% on Saturay. That number may easily slip to […]
OPENINGS: Despite being the only high-profile arrival of the week, and having a pedigree and visual style that guaranteed it media attention, Robert Zemeckis’s HERE (Miramax/TriStar/Sony) bombed with $5M. It’s been a tough decade for Zemeckis, once a maker of blockbuster hits, whose most recent moderate success was 2012’s Flight. Here hasn’t opened overseas, […]
Weekend #19 of 2012 looks like it will be about $163 million for the top 12 films, up 26% from last year’s comparable weekend and up the same amount from the four-year average for this weekend. Only one movie dares to open against the second weekend of The Avengers phenomenon. Dark Shadows should actually have […]
The MCU continues to be America’s uber-franchise, as SPIDER-MAN: FAR FROM HOME (Columbia/Sony) became the first summer mega-movie in several weeks to fully live up to expectations. Few films have opened on the Tuesday before a Thursday July 4th, so comparisons aren’t exact, but Far From Home earned $91.5M on its Tuesday-Thursday (The Amazing […]