>Now that we are in mid-August, let the true dumping of movies begin!  Sure they can be called summer movies, but films the next few weeks have little hope of turning in impressive box office results.  The Help (a truly rare August hit) should continue at #1 with a very small second weekend decline, while […]

  OPENINGS:  TRAP (Blinding Edge/Warners) had the unenviable task of facing the 2nd weekend of Deadpool and Wolverine and wasn’t up to the task, emerging at the low end of expectations with $15.6M.  That’s in between the results for M. Night Shyamalan’s last 2 releases, Old ($16.9M) and Knock At the Cabin ($14.1M), but like […]

  OPENINGS:  The big studios wanted no part of the weekend after Thanksgiving, and the only arrivals were a pair of fringe indies.  Even for a micro-budgeted horror product, INCARNATE (High Top/Blumhouse/Universal) was a flop at $2.7M. In a barely-wide release at 639 theatres, the Christian-themed BELIEVE (Freestyle) attracted no one outside the flock (and […]

Weekend #21 of 2012 (the traditional Friday-Sunday portion of this Memorial Day weekend) looks like it will total about $153 million for the top 12 films, down 29% from last year’s comparable weekend and down 11% from the four-year average for the weekend.  Two movies open Friday, Men in Black 3 and Chernobyl Diaries.  Although […]

  It’s not much of a surprise at this point that GRAVITY (Warners) continues to run rings around its competition.  Based on preliminary numbers at Deadline, the blockbuster will easily win its third consecutive weekend, with $8.8M on Friday, down only 30% from last Friday.  That should mean a $30M weekend, and close to $170M […]

  From the start, THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) was perceived as a lower-intensity version of the Gone Girl phenomenon, and that’s holding with the opening of its film version.  Where Gone Girl had a $13.2M Friday start on its way to a $37.5M weekend, preliminary numbers at Deadline give Train $9.3M on Friday, […]

  There’s a reason why Christopher Nolan may be, along with James Cameron, the last filmmaker who can truly demand blank checks from Hollywood.  His WWII recreation DUNKIRK (Warners), devoid of name stars (apologies to Harry Styles) but riding a tide of Oscar-level reviews, is already overperforming expectations with a $19.8M opening day (including $5.5M […]

  After AVENGERS: ENDGAME (Marvel/Disney) torched the record books last weekend, the remaining question was whether it would have the stamina to challenge the biggest records of them all, The Force Awakens in the US ($936.7M) and Avatar worldwide ($2.79B).  It’s not clear after Friday whether this weekend will answer that in a definitive way.  […]