OPENINGS:  In the US, THE MAZE RUNNER: THE DEATH CURE (20th) had an OK start with $23.5M, down from $32.5M/$30.3M for the first 2 films in the series.  It’s on track for $60-65M here.  However, it’s off to a much better start overseas, where it’s in 70 markets (with about half a dozen still […]

WORLDWIDE STUDIO SCORECARD.  Updated look at 2016 by studio.     YEAR TO DATE BOX OFFICE. Looking at North American box office, 2016 to date is now +5% above last year and still +5% above the average for this point the past four years ($7.021 billion).  Over the same period, Hollywood films have grossed over $18.6 billion worldwide […]

  WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is now -6% below last year’s comparable span (1 point worse than last week’s comparison) and now basically even with this point the past four years ($8.852 billion).  Over the […]

  OPENINGS:  STAR WARS: THE LAST JEDI (Lucasfilm/Disney) had an excellent Saturday for a blockbuster of its size, dropping 39% from Friday, where The Force Awakens had fallen 43%.  That cemented Last Jedi as the 2nd-highest opening in US history at $220M (down 11% from Force Awakens)–and that studio estimate may even be a tad […]

  OPENINGS:  The $9M start for THE MENU (Searchlight/Disney) was below the $10.1M launch of Barbarian–and The Menu cost about $20M more to produce.  Combine that with the fact that The Menu is really more of a very dark satire than a horror movie, and its prospects look questionable.  The film also opened in 36 […]

  OPENINGS:  The Saturday bump for 10 CLOVERFIELD LANE (Bad Robot/Paramount) was 8%, a solid number for its genre that indicates good word of mouth.  That gave it a $25.3M weekend, a bit higher than Friday indicated, although still not where it might have gotten had the Cloverfield connection (or relative lack thereof) been clearer.  […]

  OPENINGS:  OVERBOARD (MGM/Pantelion/Lionsgate) opened in 45% more theatres than Eugenio Derbez’s How To Be A Latin Lover, and had a weekend that was 20% higher at $14.8M.  That’s not the cross-cultural breakout hit that the studio and Derbez had in mind, although an eventual $40M in the US will likely provide a modest profit […]

WORLDWIDE STUDIO SCORECARD.  Here is a first look at the 2019 film slates by studio. BOX OFFICE. Looking at North American box office, 2019 is still -30% below last year’s comparable span and now -23% below the average for this point the past four years ($1.564 billion).  Over the same period, Hollywood films have grossed $3.2 […]