WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2019 dollars for films released in late 2018. We will continue to track the 2018 slates until late February, when we will switch to tracking the 2019 slates. BOX OFFICE. Looking at North American box office, […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +4% above last year and now +1% above the average for this point the past four years ($8.615 billion).  Over the same period, Hollywood films have grossed $23.1 billion worldwide when we add overseas box office (that’s still +6% […]

WORLDWIDE STUDIO SCORECARD.  Here is the updated 2015 Scorecard  If you are interested in the 2014 Scorecard, scroll down to the bottom of the post (as the remnants of overseas box office for late 2014 films continue to trickle in). YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now […]

  OPENINGS:  CRAWL (Paramount) may be an example of a studio outsmarting itself.  Paramount held no critics screenings, presumably because disdain was expected, and thus was unable to create any advance buzz around a response that turned out to be remarkably enthusiastic (88% on Rotten Tomatoes).  The result was a tepid $12M opening, and since […]

  OPENINGS:  The only new arrival this weekend certain of profitability is THE CONJURING 2 (New Line/RatPac/Warners).  It’s already earned $40.4M in the US (just lightly behind the first Conjuring‘s $41.9M opening) and $50M in 44 overseas markets, and although horror movies and sequels are usually frontloaded, even in a worst cast scenario it will […]

  OPENINGS:  MISSION IMPOSSIBLE: ROGUE NATION (Skydance/China Film Channel/Alibaba/Paramount) had a solid Saturday hold, down 3% from Friday, and the studio is projecting a $56M weekend in the US, well ahead of the $47.7M opening of Mission 3, the only other entry in the series to have a conventional Friday opening.  (However, in 2006 movies […]

  OPENINGS:  ETERNALS (Marvel/Disney) opened at the low end of expectations with $71M, not a surprise given its lousy reviews (48% on Rotten Tomatoes, unprecedented for the MCU) and blah audience exit polls.  Even so, that makes it the #4 US opening of the pandemic era, and all of those quartet members are Marvel movies.  […]

  OPENINGS:  The really bad news for GODS OF EGYPT (Summit/Lionsgate) wasn’t the $14M US opening, although that was certainly pathetic enough.  No, the really bad news was that in 68 overseas territories covering most of the world (although not yet China, which opens in 2 weeks, nor France, Germany or the UK), it managed […]