WORLDWIDE STUDIO SCORECARD.     YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +5% above last year and +7% above the average for this point the past four years ($3.043 billion).  Over the same period, Hollywood films have grossed $9.2 billion worldwide when we add overseas box office (that’s […]

  OPENINGS:  Allowing for the usual studio practice of predicting lower-than-typical Sunday drops to boost the numbers a bit, MONSTERS UNIVERSITY (Disney/Pixar) opened in line with expectations at what may be slightly less than the $82M number announced today.  That puts it only behind 3 other big-ticket animated sequels (the last Toy Story and 2 […]

  OPENINGS:  DAWN OF THE PLANET OF THE APES (20th) brought in $73M in the US, and added $31.1M in 26 (mostly smaller) international markets.  While a terrific boost to the franchise (which rebooted at $54.8M with Rise 3 years ago), it’s still a level below the summer’s mega-franchises.  However, Dawn has weeks to play […]

Thor: The Dark World has pushed Disney back into first place in the worldwide box office race, pushing Warner Brothers back into second place and Universal into third. For a complete ranking of 2013 films by worldwide performance click here. TOTAL NORTH AMERICAN BOX OFFICE. Looking at wide-release films in North America (those that play on […]

  OPENINGS:  THE GIRL ON THE TRAIN (DreamWorks/Reliance/Universal) didn’t have much of a Saturday bump, rising just 2% (that compares to 15% for the 2d day of Gone Girl), suggesting that word of mouth is less than stellar.  The result was a $24.7M weekend that was lower than originally anticipated, and early international results of […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($8.038 billion).  Over the same period, Hollywood films have grossed $22.4 […]

  OPENINGS:  Even though THE DISASTER ARTIST (A24) was at just 840 theatres, its $6.4M weekend had no trouble topping its woeful newcomer competition.  That total (which may come down a bit in finals, because A24 tends to be optimistic in its Sunday estimates) translated into a $7700 per-theatre weekend average, notably better than the […]

  OPENINGS:  Horror has been one of the more reliable genres at the pandemic box office, and CANDYMAN (MGM/Universal) opened with a solid $22.4M, buoyed by unusually good reviews (85% on Rotten Tomatoes).  That offset a weaker showing overseas, where it earned $5.2M in 51 markets. HOLDOVERS:  FREE GUY (20th/Disney) enjoyed its final pre-Shang Chi […]