WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now -1% below last year and now +11% above the average for this point the past four […]
WORLDWIDE STUDIO SCORECARD. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is still +6% above last year and still +2% above the average for this point the past four years ($6.833 billion). Over the same period, Hollywood films have grossed $18.1 billion worldwide when we add overseas box office (that’s […]
OPENINGS: There was nothing supernatural about the blah $17M opening for CARRIE (Screen Gems/Sony/MGM), on the low end of Halloween horror openings, and with Bad Grandpa targeting a similar audience next weekend, there’s little chance for recovery. Even though the reviews were never going to be good, Sony’s strategy of keeping the movie under […]
OPENINGS: Although JURASSIC WORLD: DOMINION (Universal) is being billed as the “conclusion of the trilogy,” the studio certainly won’t be abandoning the franchise, as Dominion opened to $143.4M, almost identical to the $148M for 2018’s Fallen Kingdom, and with a very similar trajectory, down 22% on Saturday (Fallen Kingdom dropped 15%, but that was […]
WORLDWIDE STUDIO SCORECARD. Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still +2% above last year and still +4% above the average for this point the past four years ($5.698 billion). Over the same period, Hollywood films have grossed $16.3 […]
> With the superpowers wielded only by Hollywood studio estimators, CAPTAIN AMERICA: THE FIRST AVENGER has leaped ahead of Thor to claim the biggest superhero opening of the year. But Captain America and HARRY POTTER AND THE DEATHLY HALLOWS (PART 2) are the only pictures in the Top 10 predicting a Sunday drop of less […]
OPENINGS: BLACK ADAM (DC/New Line/Warners) arrived within moderate expectations at $67M. That’s the highest weekend we’ve seen since Thor: Love & Thunder in July, but as a superhero epic with a $300M+ production/marketing budget, it’s far below Love & Thunder ($144.2M), Doctor Strange In the Multiverse of Madness ($187.4M), and DC’s The Batman ($134M). […]
OPENINGS: As summer kick-off weekends go, the $92M for THE AMAZING SPIDER-MAN (Sony)–which may go down by $1M or so in final numbers tomorrow, given an aggressively high Sunday estimate–was pretty mild. It came in below the openings of 2007, 2008, 2010, 2012 and 2013 (above only the first Thor and the first Wolverine […]