Friday’s $52.1 million for the top 10 films is very close to the pace for the same day in 2007 (when December 28 was also a Friday). In fact, over the past three days, 2012 is performing almost identically to 2007.  The big differences between the two years are last weekend (December 21-23), which was […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($8.353 billion).  Over the same period, Hollywood films have grossed $23.4 billion […]

  OPENINGS:  INSIDIOUS: THE RED DOOR (Screen Gems/Sony) reaffirmed the strength of the low-budget horror genre with a $32.7M start, better than the $29.6M launch of 2018’s The Last Key (which didn’t feature the full original cast).  Red Door should reach $65M+ in the US, guaranteeing profitability on a reported $16M production budget and relatively […]

  OPENINGS:  PIXELS (Columbia/Sony) isn’t the first Adam Sandler movie to approach a $90M production budget–incredibly, the first Grown Ups reportedly cost that much–but as his audience shrinks, it becomes more difficult to justify a greenlight for him at that level.  Pixels is reporting a very mild $24M weekend in the US (that number assumes […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2017 film slates by studio. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2017 to date is still down -2% from last year and still +1% above the average for this point the past four years ($7.899 billion).  Over the same period, Hollywood films have grossed over […]

  It was a strong multiplex weekend all over the world this week, which was good news for Hollywood and its overseas equivalents. OPENINGS:  Although David Fincher is considered one of cinema’s heavy hitters, he’s never been a blockbuster guy, and until this weekend, his biggest opening came a dozen years ago, with $30.1M for […]

  OPENINGS:  ANT-MAN & THE WASP (Marvel/Disney) turned out to be rather front-loaded, with a 30% Saturday drop (compared to 14% for the 2nd day of Ant-Man).  That pushed the studio weekend estimate down to $76M, which is still 33% better than Ant-Man‘s debut, but at the low end for Marvel, ahead of only the […]

  OPENINGS:  It’s very possible that the news is going to get even worse for THE HAPPYTIME MURDERS (H Brothers/Black Bear/STX), which is grimly insisting on a studio estimate of the best Sunday hold in the weekend’s Top 10 to claim a $10M opening–even after dropping 15% on Saturay.  That number may easily slip to […]