STUDIO SCORECARD. In the worldwide studio rankings for 2013 to date, only moderate changes for each studio.  The biggest gainer this week was Paramount, which released a film from its tiny slate: Jackass Presents: Bad Grandpa. However, it shows just how slow the box office environment is right now when a $93 million weekly gain is tops among […]

  The 41% Weekend 3 drop for THE DARK KNIGHT RISES (Warners) is a bit better than Dark Knight‘s parallel 43% decline, but in actual numbers, Dark Knight‘s 3d weekend is $6.3M ahead ($42.7M vs $36.4M), and the $39M gap that separates them probably can’t be bridged. Internationally, though, Rises is at $378M in only […]

WORLDWIDE STUDIO SCORECARD.  Here is an updated look at the 2018 film slates by studio. The studio totals also include 2018 dollars for films released in late 2017. YEAR TO DATE BOX OFFICE. Looking at North American box office, 2018 to date is now +7% above last year and now +8% above the average for this point […]

  OPENINGS:  The major studios took the weekend off in anticipation of next week’s The Batman overwhelming the market.  STUDIO 666 (Open Road) didn’t find much of a crowd for its Foo Fighters horror with a $1.6M weekend, and it probably won’t reach $10M in the US. CYRANO (UA/MGM) may have outsmarted itself, scheduled for […]

  OPENINGS:  The economics for FANTASTIC BEASTS AND WHERE TO FIND THEM (Warners) will probably put the film at $600-700M worldwide against roughly $350M in costs.  That’s a profitable place to be, although not quite as strong as Suicide Squad, which has reached $745.6M worldwide on similar costs.  For the weekend, Warners is predicting $75M in […]

WORLDWIDE STUDIO SCORECARD.   YEAR TO DATE BOX OFFICE. Looking at North American box office, 2015 to date is now +6% above last year and now +3% above the average for this point the past four years ($9.312 billion).  Over the same period, Hollywood films have grossed over $25.0 billion worldwide when we add overseas box office (that’s […]

  OPENINGS:  With the addition of Saturday and overseas numbers, SOLO (Lucasfilm/Disney) is starting to shift from a disappointment to a potential disaster.  In the US, Solo fell 30% on Saturday (by comparison, last year’s Memorial Day opening Pirates of the Caribbean 5, a movie no one particularly loved, dropped only 14% on its Saturday, […]

  OPENINGS:  PAN (RatPac-Dune/Warners) now owns a dubious place in box office history, as one of Hollywood’s biggest flops ever.  On a production/worldwide marketing cost that will exceed $300M, its $15.5M US opening makes John Carter ($30.2M), Battleship ($25.5M), The Lone Ranger ($29.2M), and this year’s Tomorrowland ($33M), Fantastic Four ($25.7M) and even Jupiter Ascending ($18.4M) […]