OPENINGS:  NAPOLEON (Apple/Sony) launched at the higher end of expectations, with $20.4M over the 3-day weekend and $32.5M for the 5-day holiday.  As with Apple’s Killers of the Flower Moon, however, that leaves it a long way from any hope of breakeven on roughly $300M in production/marketing costs (particularly considering that audience polling indicated […]

  OPENINGS:  THE MARVELS (Marvel/Disney) fulfilled the ghastliest projections assigned to it, setting a new low for the MCU with a $47M US opening, and it was similarly dismal overseas, with $63.3M from 51 territories.  The internet is already bursting with theories that include “No one liked Captain Marvel in the first place” and the […]

  OPENINGS:  This was supposed to be the kick-off weekend for the holiday movie season, but Dune 2 decamped for 2024 and the studios didn’t step in to replace it, so the biggest arrival of the week was the expansion of PRISCILLA (A24) from 4 theaters to 1359 with $5.1M.  That’s not a bad number […]

  OPENINGS:  What are we to make of the $23M start for KILLERS OF THE FLOWER MOON (Paramount/Apple)?  As serious 3+hour historical epics go, while it’s a small fraction of Oppenheimer‘s $82.5M launch, it’s better than the $22M 5-day opening for House of Gucci, and the $18.4M for 2013’s Scorsese/DiCaprio The Wolf of Wall Street […]

  OPENINGS:  Just about everything about the release of TAYLOR SWIFT: THE ERAS TOUR (Variance/AMC Theaters) has been unique, and that includes the fact that the theater chain, a first-time distributor, has announced the weekend box office as $95-97M for now, with a definite number to be issued tomorrow.  Even at the high end, that’s […]

  OPENINGS:  THE EXORCIST: BELIEVER (Blumhouse/Morgan Creek/Universal) was at the low end of expectations with $27.2M, and it was also below projections internationally with $17.9M in 52 markets.  It’s hard to tell just what this means in terms of the bottom line, because while a $125M worldwide total wouldn’t look terrible against $30M in production […]

  OPENINGS:  PAW PATROL:  THE MIGHTY MOVIE (Nickelodeon/Paramount) launched with $23M, above expectations and an impressive rise over the $13.1M start for the 2021 installment of the franchise.  It also has $23.1M overseas from 45 markets (the 2021 film earned 72% of its global total internationally).  This series is produced at relatively low cost by […]

  OPENINGS:  THE EXPEND4BLES (Lionsgate) had a disastrous start with $8.3M, about half of both expectations and the $15.9M opening of Expendables 3 in 2014.  Expend4bles may only total $20M in the US, and while the franchise makes most of its revenue overseas (82% on Expendables 3), it still seems unlikely to break even on […]