> Yesterday we looked at the international box office numbers for films released in the fourth quarter of last year.  Today we turn our attention to movies released since the beginning of 2011.  Compared to the movies released October-December, the January-March crop looks a bit motley, but that is normal for this time of year. […]

> Watch It At Home: Fodder For the Undemanding Young One of the running gags in MR. POPPER’S PENGUINS is that the birds are fascinated by old Charlie Chaplin movies, and can be kept calm for hours just by placing them in front of a TV displaying the silent films.  Mr. Popper’s own ambition is […]

> With a summer movie season bracketed by the first weekend in May on one end, and Labor Day on the other, we’ve reached the midpoint of 2011’s array of blockbusters, here at SHOWBUZZDAILY, we’ll be providing our judgments on how the studios are doing.  Click the links below to see our assessment of each […]

>The fourth weekend of the year should generate about $91 million for the top 12 films — about the same as last year’s comparable weekend and down 10% from a “normal” weekend this time of year.  The top film should be Liam Neeson in The Grey, at a very unspectacular $15 opening weekend number.   […]

> This weekend will be dominated not surprisingly by the third Transformers film, while two romantic comedies will try to get off the ground.  Overall, the weekend is looking like it will be up over last year. Opening at 4,011 theaters, Transformers: Dark of the Moon should average a strong $20,800 per theater (for $83.5 […]

Marvel’s The Avengers (distributed by Disney) has jumped again to $629 million to date overseas (up from $441.5 million last week).  United Kingdom continue to lead the way overseas ($48.2 million so far now — up from $25.7 million this time last week).  Mexico moved up to the second-biggest territory ($40.7 million to date — up from […]

> Deadline has preliminary numbers for Saturday and the weekend, and any worries that THE HELP would suffer from front-loading are out the window.  Rather amazingly, the picture seems to have climbed more than 25% from Friday to Saturday, and it seems likely to get near $25M for the weekend and $35M since its opening […]

> Oren Moverman’s first film as a director, The Messenger, was a beautifully contained, emotionally detailed story about soldiers assigned to deliver tragic news to the families of the deceased.  In his new film RAMPART, which premiered at the Toronto Film Festival, Moverman is more ambitious and, unfortunately, a victim of the sophomore jinx. This […]