> Worth a Ticket; It Wasn’t Broke, They Didn’t Fix It In Hollywood, the word “sequel” is often code for “remake.”  This isn’t news:  the James Bond series has been going on for almost 50 years, and allowing for the occasional change in cast and some fluctuation in quality, it’s pretty much been the same […]

> It’s not looking good for Team Metcalf, which is about $160 million behind Team Salem in the first annual ShowBuzzDaily Summer Movie Draft.  And it’s not going to get any better this weekend.  Even if Salem’s Green Lantern does not light the world on fire, Metcalf’s Mr Popper’s Penguins will do worse.  If Metcalf […]

Weekend #27 of 2012 looks pretty solid: $185 million for the top 12 films, up 27% from last year’s comparable weekend and up 22% from the four-year average for the weekend. Much of this increase can be attributed to the calendar and the unusual placement of July 4 on a Wednesday, having little effect on […]

>The fifth weekend of the year should generate about $84 million for the top 12 films — up 15% from last year’s comparable weekend but down a similar percentage from a “normal” weekend this time of year.  Three new films open this weekend to positive reviews, but none of the three should gross more than […]

> Two new comedies (one adult and one family-oriented) duke it out this weekend, while Transformers: Dark of the Moon will remain on top.  The weekend as a whole should be down versus last year.   Opening at around 2,900 theaters, Horrible Bosses should average a solid $9,200 per theater (for $26.5 million for Friday-Sunday).  […]

Marvel’s The Avengers (distributed by Disney) increased again to $723 million to date overseas (up from $629 million last week), although the growth rate is starting to slow.  United Kingdom continues to lead the way overseas ($64.7 million so far now — up from $48.2 million this time last week).  Mexico remains the second-biggest territory ($50.3 million […]

> Let’s take a look at just how remarkably THE HELP is performing so far.   The most obvious points of comparison are the literary-sourced, female-skewing hits of the last 2 Augusts:  Julie & Julia in 2009, and last year’s Eat Pray Love.  Julia had a $20M opening that led to a $94M domestic gross; Eat […]

> TEN YEAR, which premiered tonight at the Toronto Film Festival, is one of the few festival movies that has the feel of a potential hit.  This is because, apart from its hugely engaging cast and, to be sure, some effective writing and directing, it’s really not a “film festival” movie at all, but a […]