NO GOOD DEED (Screen Gems/Sony) held better than expected on its 2d day of release and better than Obsessed did in 2009, and that guarantees the Idris Elba/Taraji P. Henson thriller the weekend win. Based on preliminary numbers at Deadline, No Good Deed rose by about 15% on Saturday to $10M, compared to the […]
NETWORK FINALS: 60 MINUTES and THE SIMPSONS lost 0.1 in final numbers. In addition, SUNDAY NIGHT FOOTBALL adjusted to 6.1. Broadcast Official Nationals Program Ratings Chart CABLE HIGHLIGHTS: Bravo’s DIRTY JOHN premiered at a solid 0.36, with lead-ins REAL HOUSEWIVES OF ATLANTA up 0.06 to […]
> It seems like only yesterday that we were reviewing the records for midnight openings (actually, it was March 23, when The Hunger Games opened with a 7th-highest $19.7M Thursday midnight–the highest ever for a non-sequel). Now we’re just a few hours away from the US arrival of THE AVENGERS, which… is it a sequel? […]
OPENINGS: There was more loose change behind the Friday cushions for OZ THE GREAT AND POWERFUL (Disney) than the early estimate had found, and at $24.1M, it seems likely to reach at least $70M for the weekend, sparing Disney some embarrassment. But opening at the same level as last year’s The Lorax–down 40% from […]
OPENINGS: WRECK IT FALPH (Disney) is proving itself to be a canny mix of kid-friendly action with a video game millieu that can appeal to adults. It’s Walt Disney Animation’s most Pixar-ish production to date (although the divisions are separate within Disney, John Lasseter supervises both), and headed for a $50M+ opening. What Ralph […]
Note: The fast affiliate-based ratings below measure what aired on network affiliates in 210 U.S. markets from 8-11 pm Eastern & Pacific or 7-10 pm Central & Mountain. The numbers are some combination of the network schedule and any pre-emptions (such as local news or weather coverage). Accurate program ratings will be available this afternoon. […]
With a rerun of SHARK TANK on tap, it was an even quieter Friday than usual. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people […]
> As has been reported, there really was an ambulance outside the Ryerson Theatre in Toronto after the midnight premiere of Alexandre Courtes’ THE INCIDENT, there to rescue at least one person who had fainted during the movie. Of course, this may just mean that Toronto Film Festival patrons have delicate sensibilities–an idea supported by […]