NETWORK UPDATE:  There was no good news for UTOPIA in final numbers, although 2 other 8PM shows (48 HOURS and MASTERS OF ILLUSION) went up 0.1 each.  DATELINE lost 0.1. FRIDAY CABLE:  Technical issues kept it off the Top 25 chart below, but Syfy’s premiere of Z NATION was actually the #2 cable original of […]

>Based on Wednesday and Thursday numbers, Twilight Breaking Dawn Part 1 will hold on to the #1 spot this weekend despite an anticipated precipitous drop, followed in second place by The Muppets.  The other kid-friendly openers, Arthur Christmas and Hugo, are fighting over table scraps.  The weekend is now looking like it will be down […]

  America’s Got Talent dominated another slow summer Tuesday. NBC:  FOOD FIGHTERS is currently up 0.1 to 1.1, and AMERICA’S GOT TALENT is down 0.2 to 1.9, but it wouldn’t be a surprise to see a shuffling between them when final numbers are released this afternoon.  In any case, Talent was by far the highest-rated […]

  THE AMAZING SPIDER-MAN (Sony) earned $23.4M at the boxoffice on July 4th, which is clearly a very good number.  The question is, how good? It was the 2d highest Independence Day gross ever, below only the original Transformers, which made $29.1M in 2007, the last time July 4th fell on a Wednesday.  (#3 is […]

  OPENINGS:  THE REVENANT (Regency/20th) had an impressive $38M start, the #5 January wide opening ever (although tomorrow’s final numbers could send it below Lone Survivor‘s $37.8M, the comp it wanted to beat).  Survivor made it to $125.1M, and Revenant could do the same, especially fueled by what now seems like a can’t-miss campaign for […]

> After a full season, it’s still not clear just what HOUSE OF LIES is. The season finale, written and directed by series creator Matthew Carnahan, centered on what became the show’s main storyline in the latter part of its run:  the attempted takeover of the management consulting firm that employs Marty Kaan (Don Cheadle) […]

>At ShowBuzzDaily we focus mainly on ratings for Adults 18-49, the demographic advertisers are most interested in buying.  But inside that broad group are many important sub-groups, usually broken up into women and men, younger and older (18-34 versus 35-49).  These subgroups (along with the older 50+ category) determine how successful a show will be.  […]