Preliminary broadcast ratings for Saturday.
Viewers have started to exit the season before it’s even ended, as neither premieres nor finales excited anyone last night. NBC: THE VOICE, as usual, won the night for NBC, but with its lowest-rated Monday episode ever, a 3.4 that was down 0.4 from last week. In that context, REVOLUTION looked good by holding […]
NETWORK FINALS: All of FOX’s comedies adjusted post-football: THE SIMPSONS down 0.2 to 3.3, BOB’S BURGERS down 0.1 to 2.1, FAMILY GUY up 0.1 to 1.8, and THE LAST MAN ON EARTH down 0.1 to 1.2. Elsewhere, NCIS: LA gained 0.1 in final numbers, while the run of RIDE ALONG lost […]
DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age of 2). PREVIOUS SATURDAY NETWORK SCORECARDS (FAST NATIONALS) PREVIOUS SATURDAY CABLE & BROADCAST NATIONALS […]
BROADCAST FINALS: ABC: After a rerun PRESS YOUR LUCK at 0.42, the special WOMEN OF 9/11 was at 0.47. CBS: BIG BROTHER dipped 0.04 to 0.91, and HOUSE CALLS held at 0.21. A special 48 HOURS was at 0.23. NBC: AMERICA’S GOT TALENT dropped 0.04 to 0.61, and FAMILY GAME FIGHT was down 0.03 […]
NOTE: Sunday (and Saturday) fast nationals still delayed. NETWORK FINALS: There were 0.1 drops for BLUE BLOODS, GRIMM and DATELINE in final numbers. Broadcast Official Nationals Program Ratings Chart CABLE HIGHLIGHTS: Despite many COLLEGE BASKETBALL tournaments on Friday cable, Discovery continued to rule the night […]
BROADCAST FINALS ABC: The line-up aired new episodes for the first time in a month, with STATION 19 down 0.03 to 0.60, GREY’S ANATOMY up 0.02 to 0.65, and BIG SKY down 0.03 to 0.26. CBS: After reruns at 0.36/0.26/0.27, HOW WE ROLL dropped 0.05 to 0.27, followed by a BULL rerun at 0.17. […]
THE NIGHT SHIFT: Tuesday 10PM on NBC – Change the Channel It’s as though NBC and series creators Jeff Judah and Gabe Sachs (they were among the showrunners of the 90210 reboot, and wrote the first Diary of a Wimpy Kid movie) deliberately set out to make the least distinctive series possible with THE NIGHT […]