The College Football Playoff Semifinal games on New Year’s Eve provided some welcome news for ESPN and Disney, with both games up versus last year’s low levels (especially the afternoon window which was up +23% from last year). The 19.3 million viewers 2+ for the 3:12 pm game (Alabama def. Washington 24-7) includes 18.4 million in […]
By summer TV standards, there were plenty of well-watched shows on the networks last night. The bad news: they were all down. ABC: Game 3 of the NBA FINALS will, we estimate, end up with a 5.8 rating after adjustment to reflect west coast live viewing. However, that’s 0.7 below Game 3 of last […]
Fans are already starting to miss their favorite serial killer, as DEXTER had the best launch of its run with last night’s Season 8 premiere. The show had 2.5M viewers, up 100,000 from Season 7’s premiere. (Demo numbers weren’t released, but should end up at around a 1.4 in 18-49s–which, if true, would mean […]
Updated weekly ratings chart for broadcast and cable:
FRIDAY STARZ: The pay-TV network had plenty of announcements at its TCA press tour session, including a renewal for its pirate series Black Sails before the show has even aired, but there wasn’t a word of comfort for MAGIC CITY, which is just 2 weeks from its Season 2 conclusion. The show has been […]
Don’t get too comfortable with this morning’s numbers. Per Mitch Metcalf: “Because of local pre-emptions for NFL preseason games, each network except for FOX should decline in the official nationals. CBS, NBC and CW should drop about one tenth of a rating point (maybe two tenths). But ABC will drop the most (down four […]
The first Thursday BIG BROTHER of the season won the night. DEMOGRAPHIC DETAIL: For each broadcast program (or hour segment), the chart below displays preliminary live+same day key advertiser demographics (adult 18-34, 18-49 and 25-54 ratings), audience skews (women 18-49, men 18-49 and adults 50+ shares) and total viewership (thousands of people over the age […]
KILLER WOMEN: Tuesday 10PM on ABC – Worth A Look KILLER WOMEN can’t keep up the pace of its Kill Bill-inflected opening, but it’s a fun ride nonetheless. The premise, adapted from an Argentine format (one of the producers is Sofia Vergara) by US series developer Hannah Shakespeare, is straightforwardly procedural: Molly Parker (Tricia […]