The borders between “movies” and “television” were already beginning to buckle pre-pandemic, thanks to Netflix and the desire of studios to release their product on as many simultaneous platforms as possible.  Now, of course, we’ve been 4 months without movie theaters, and the most optimistic view is that wide openings are still weeks if […]

SAFE HOUSE:  Watch It At Home – You’ve Seen It     SAFE HOUSE feels like a remake, even though technically it’s not.  It’s a little bit Training Day, a little Bourne, a little Man On Fire (and everything else Tony Scott has ever done), with almost nothing added of its own, an exercise in […]

  SABOTAGE:  Not Even For Free – A Bloody Waste SABOTAGE is a lot bloodier than you’re expecting.  A lot bloodier.  I mention this upfront because although an R-rated Arnold Schwarzenegger vehicle carries with it a certain likelihood of violence, the level of gore in Sabotage is more like what you’d see in a horror […]

  THE AMAZING SPIDER-MAN 2:  Watch It At Home – The Webs Aren’t Very Tight This Time The huge, lumbering pieces of THE AMAZING SPIDER-MAN 2 rarely succeed in fitting together.  It’s as though the studio and filmmakers–director Marc Webb and screenwriters Alex Kurtzman, Roberto Orci and Jeff Pinkner (plus co-story writer James Vanderbilt)–started with […]

  NOTE TO READERS: Warner Bros has an embargo in place that delays reviews of THE HOBBIT: THE DESOLATION OF SMAUG until Sunday morning.  While I viewed the film as a member of the general public, and hadn’t obtained my ticket subject to that embargo, I have agreed with Warners to abide by its terms, […]

  WORLD WAR Z:  Watch It At Home – Third Act Heroics, In More Ways Than One The travails of WORLD WAR Z on the way to the screen have been widely discussed, and in the end the misshapen, Frankenstein-like $200M (plus marketing costs) assembly of various genres, writers, editors and re-shoots are something of […]

  THE CONJURING:  Worth A Ticket – Retro Horror, In A Good Way Watching The Exorcist recently, for the first time in probably a decade, the most striking thing about it was its insistence on a palpable, sometimes documentary-like reality.  Director William Friedkin moved the film at a measured, even slow pace, only gradually raising […]

  THE FAULT IN OUR STARS:  Worth A Ticket – John Green’s Beloved Book Is Well Treated By the Screen It’s almost impossible to describe the plot of John Green’s YA novel THE FAULT IN OUR STARS without making it sounding precious and shamelessly sentimental.  Erich Segal’s Love Story, the giant hit and instant self-parody […]