> I write this as a fairly obsessive fan of Stanley Kubrick, back since I desperately wanted to see A Clockwork Orange in its original X-rated release but was too young to get in. So the very idea of ROOM 237, a feature-length film by Rodney Ascher constructed of the theories and interpretations that have […]

  PROJECT X:  Not Even For Free – Don’t RSVP   How is it that no one has yet produced a 3D found-footage movie?  You’d think the combination of the most (usually) mind-numbing gimmicks of the past decade would be a commercially sure bet, but so far it’s an untapped market. Meanwhile we have PROJECT […]

  Ridley Scott’s THE MARTIAN is the jaunty sci-fi offspring of Apollo 13 and McGyver, Scott’s least self-important movie in years and not coincidentally his most enjoyable.  Drew Goddard’s expertly crafted script (based on the best-selling novel by Andy Weir) has a premise both simple and massively complex:  during a giant sandstorm on the surface […]

  OLYMPUS HAS FALLEN:  Watch It At Home – Better Luck in June In Hollywood’s grand tradition of 2 movies about volcanoes, 2 about Snow White, 2 about Christopher Columbus and 2 about Truman Capote, this year we’re getting a pair of terrorist attacks on the White House, each foiled by a heroic Secret Service […]

BRAVE:  Watch It At Home – Pixar Out Of Its Element   A spunky young animated princess is suffocated by her domineering mom, and her efforts to break free lead to all sorts of unintended chaos… Wasn’t Tangled a lot of fun?  Pixar’s new BRAVE has gotten lots of attention for being the studio’s first […]

  It’s not really a surprise to see Alfonso Cuaron join James Cameron, Martin Scorsese and Ridley Scott in that small group of film artists who have made 3D part of the essential toolbox of their imagery (no, Baz Luhrmann and Guillermo del Toro don’t make the list, although Michael Bay might).  Cuaron is a […]

  PROMETHEUS:  Worth A Ticket – For the Visual Splendor, Not the Plot   Expectations were undoubtedly too high for PROMETHEUS.  The Alien franchise (and notwithstanding Ridley Scott and co-writer Damon Lindelof’s hemming and hawing on the subject, it’s utterly clear that Prometheus is nothing but a prequel entry in the franchise) has never been […]

  As has been generally reported, this year’s Toronto Film Festival wasn’t a dominant one, lacking the kind of overwhelming favorites that The King’s Speech and Argo have been in recent years.  Some potentially major upcoming films chose to screen at other festivals (Birdman at Venice, Gone Girl and Inherent Vice in New York), while […]