Posts Tagged ‘behind the box office’
 

 

US/Worldwide Weekend Box Office Report – 12.6.2020

  OPENINGS:  Universal continued to be the main supplier of fresh product to gasping theatres, with both of the weekend’s wide openings.  They will, per the studio’s deals, be available at home in about 3 wee...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 9.6.2020

  OPENINGS:  The hugely-anticipated US opening box office numbers for TENET (Warners) turned out to be frustratingly opaque to interpret, and to the extent they were comprehensible, simply not very good.  (Let’s as...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.8.2020

  OPENINGS:  In the US, ONWARD (Pixar/Disney) was merely a disappointment by Pixar standards, with an OK 37% Saturday bump that allowed it to claim a $40M weekend, pending actuals on Monday.  That isn’t much better...
by Mitch Salem
 

 
 

EARLY FRIDAY BOX OFFICE: “Venom” Drops, “A Star Is Born” Holds, “First Man” Sluggish

  There may be a pair of tight races at the box office this weekend.  Based on preliminary numbers at Deadline, VENOM (Tencent/Columbia/Sony) has the early lead with $9.5M on Friday, down 71% from last week’s openin...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.3.2019

  OPENINGS:  A MADEA FAMILY FUNERAL (Lionsgate) launched at $27.1M, and with the exception of the outliers Madea Goes To Jail ($41M) and A Madea Christmas ($16M), that puts it in the standard $21-30M range of the franchis...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 3.21.2021

  OPENINGS:  With the LA movie theatre market now open (at 25% capacity) and a general rise in vaccinations, the box office seems to be taking its first very tentative steps back to pre-pandemic life.  The one wide openi...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 5/31/15

  OPENINGS:  SAN ANDREAS (Village Roadshow/RatPac Dune/New Line/Warners) had a solid 13% Saturday bump that propelled it to a $53.2M weekend, significantly above expectations–and with no direct competition arriving ...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 1.17.2021

  OPENINGS:  THE MARKSMAN (Open Road) allows Liam Neeson to lay claim to being the most prolific movie star of the pandemic, following on the releases of Honest Thief and the smaller-scale Made In Italy.  Despite a holid...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.10.2019

  OPENINGS:  CAPTAIN MARVEL (Marvel/Disney) launched with $455M worldwide, the highest superhero intro movie ever (although not all the titles in that category opened in China on their first weekend).  In the US, its $15...
by Mitch Salem
 

 
 

BEHIND THE FRIDAY BOX OFFICE: 7/5/13

  It’s a best of times, worst of times kind of weekend for the newcomers. OPENINGS:  DESPICABLE ME 2 (Universal) is everything its makers could have wanted at the box office.  With a $30.2M Friday, it should have $...
by Mitch Salem
 

 

 

EARLY FRIDAY BOX OFFICE: “Captain Marvel” Unchallenged, “Wonder Park” & “Five Feet Apart” OK, “Captive State” DOA

  The other studios didn’t try very hard to compete with the second weekend of CAPTAIN MARVEL (Marvel/Disney), and the blockbuster will have no trouble repeating as #1 this week.  According to preliminary numbers at...
by Mitch Salem
 

 
 

Behind the US/Worldwide Weekend Box Office – 12.1.2019

  OPENINGS:  KNIVES OUT (MRC/Lionsgate) scored a victory for non-IP, adult-oriented filmmaking with a strong $27M over the 3-day weekend ($41.7M since Wednesday), and although December box office can be tough to predict, ...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 9.1.2019

  OPENINGS:  Labor Day weekend is traditionally Hollywood’s graveyard, and no major studio touched the holiday with a fresh arrival.  DON’T LET GO (Blumhouse Tilt/OTL) tried to take advantage of the quiet, ...
by Mitch Salem
 

 
 

US/Worldwide Weekend Box Office Report – 12.27.2020

  OPENINGS:  WW84 (DC/Warners)–that’s the official title per the credits–had the biggest US opening of the pandemic era with $16.7M (a $7800 per-theatre average), much higher than the $9.7M for The Crood...
by Mitch Salem
 

 

 

Behind the US/International Weekend Box Office – 6/1/14

  OPENINGS:  MALEFICENT (Disney) is claiming a $70M weekend, and like all round-number estimates, that should be viewed with some skepticism.  But even if it dips slightly in final numbers tomorrow, it’s a fine sta...
by Mitch Salem