Posts Tagged ‘box office’
 

 

BEHIND THE WEEKEND BOX OFFICE: 9/29/13

  OPENINGS:  Once it became clear that the predicted $40M wasn’t going to happen, CLOUDY WITH A CHANCE OF MEATBALLS 2 (Sony) badly wanted to claim a $35M opening, and so it did.  Actually hitting that number will ...
by Mitch Salem
 

 
 

2013 International Box Office through January 12

International box office for 2013 releases through January 12, 2014. Click here for a summary of worldwide performance by studio. We will start tracking the 2014 films in a few weeks.
by Mitch Metcalf
 

 

 

FRIDAY APRIL 12 BOX OFFICE REPORT

Based on Friday’s grosses, Weekend #15 of 2013 is looking like $104 million for the top 12 films, down just a few percentage points from the same weekend in prior years.  Two films opened this weekend.  A sports drama p...
by Mitch Metcalf
 

 
 

Behind the US/Worldwide Weekend Box Office – 3.17.2024

  OPENINGS:  ARTHUR THE KING (Lionsgate) was clearly hoping to emulate the sleeper success of 2022’s Dog, which ran a $14.9M opening into $61.8M in the US.  However, the Mark Wahlberg vehicle came up very short wit...
by Mitch Salem
 

 

 

Behind the US/Worldwide Weekend Box Office – 3.27.2022

  OPENINGS:  THE LOST CITY (Paramount) opened at the high end of expectations at $31M, a particularly solid result these days for a movie that skews both female and older (the latter crowd evident in the 2% Friday-to-Satu...
by Mitch Salem
 

 
 

FRIDAY AUGUST 1 Box Office Report

Based on Friday’s grosses, weekend #31 of 2014 looks like $173 million for the top 12 films Friday-Sunday, well above our forecast ($150 million) and 34% above the norm for this weekend ($129 million). Opening at 4,080 t...
by Mitch Metcalf
 

 

 

WEEKEND BOX OFFICE PREDICTIONS May 25-27

Weekend #21 of 2012 (the traditional Friday-Sunday portion of this Memorial Day weekend) looks like it will total about $153 million for the top 12 films, down 29% from last year’s comparable weekend and down 11% from the...
by Mitch Metcalf
 

 
 

FRIDAY APRIL 18 Box Office Report

Based on Friday’s grosses, weekend #16 of 2014 looks like $122 million for the top 12 films Friday-Sunday, not as high as forecast but still up 9% from the typical total for this weekend.   Opening at 2,417 theaters Wedn...
by Mitch Metcalf
 

 

 

FRIDAY JULY 18 Box Office Report

Based on Friday’s grosses, weekend #29 of 2014 looks like $129 million for the top 12 films Friday-Sunday, -30% below the norm for this weekend and below our forecast ($147 million).  This is the fifth really sub-par wee...
by Mitch Metcalf
 

 
 

FRIDAY JANUARY 10 Box Office Report

Based on Friday’s grosses, weekend #2 of 2014 looks like $121 million for the top 12 films Friday-Sunday, down 12% from the average for the same weekend the past few years (but better than we forecast earlier this week). ...
by Mitch Metcalf
 

 

 

Weekend Box Office Predictions 11.6-8.2015

Weekend #45 of 2015 is looking like a solid $165 million for the top 12 films this weekend, up somewhat from the norm for this weekend (see comparisons below). Spectre from Sony should open with a $85.5 million weekend. T...
by Mitch Metcalf
 

 
 

Weekend Studio Estimates 8.21-23.2015

Based on Friday’s and Saturday’s grosses, weekend #34 of 2015 now looks like $92 million for the top 12 films Friday-Sunday, somewhat above the norm for this weekend (thanks mostly to Straight Outta Compton and def...
by Mitch Metcalf
 

 

 

Behind the US/Worldwide Weekend Box Office – 2.16.2020

  OPENINGS:  A Friday Valentines Day that leads into a long holiday weekend is a bonanza for Hollywood, and the movie that cleaned up the most was SONIC THE HEDGEHOG (Paramount), with a remarkable $57M over the 3-day week...
by Mitch Salem
 

 
 

International Box Office through August 25

Updated international box office chart:
by Mitch Metcalf
 

 

 

Year to Date Box Office & Worldwide Studio Scorecard

No changes in the studio rankings this week, the top two studios had enormous weeks (each around $250 million) from The Hobbit: Desolation of Smaug (Warner Brothers) and Frozen (Disney), with each film experiencing a signifi...
by Mitch Metcalf