Posts Tagged ‘box office’
 

 

Weekend Studio Estimates AUGUST 30-SEPTEMBER 1

Here is the Weekend Studio Estimates summary (posted much later than usual but for the record). Based on Friday’s and Saturday’s grosses, Weekend #35 of 2013 now looks like $93 million for the top 12 films, down a b...
by Mitch Metcalf
 

 
 

International Box Office through September 1

Updated international box office chart:
by Mitch Metcalf
 

 

 

Year to Date Box Office & Worldwide Studio Scorecard

STUDIO SCORECARD. The worldwide studio rankings for 2013 to date remain the same as last week’s. Reminder: the chart below has been reformatted and expanded to include a look at all releases from each studio, divided into...
by Mitch Metcalf
 

 
 

BEHIND THE WEEKEND BOX OFFICE – 9/1/13

  Even though Labor Day Weekend is historically slow at the multiplex, the Monday holiday still boosted the Sunday takings for most titles. OPENINGS:  Frontloading 101:  on Thursday night/Friday, ONE DIRECTION: THIS IS U...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOX OFFICE – 8/30/13

  OPENINGS:  The $8.9M start for ONE DIRECTION: THIS IS US (TriStar/Sony), which includes $2.7M from Thursday night, was behind only the Justin Bieber concert movie ($12.4M) among recent debuts in its genre, surpassing ef...
by Mitch Salem
 

 
 

FRIDAY AUGUST 30 Box Office Report

Based on Friday’s grosses, Weekend #35 of 2013 looks like a very decent $95 million for the top 12 films, up 16% from the average Friday-Sunday portion of recent Labor Day weekends.  One Direction: All of Us and the out-...
by Mitch Metcalf
 

 

 

THURSDAY NIGHT BOX OFFICE: The Boy Band Weekend Begins

  The young, fanatically committed audience for ONE DIRECTION: THIS IS US (Sony) is the very definition of probable frontloading, so it’s no surprise that the concert doc debuted with a strong $2.7M last night at 7PM...
by Mitch Salem
 

 
 

Weekend Box Office Predictions AUGUST 30-SEPTEMBER 1

The 35th weekend of the year is looking like $83 million for the top 12 films, exactly in line with the Friday-Sunday portions of recent Labor Day weekends and among the three or four weakest weekends of the entire year.  Aft...
by Mitch Metcalf
 

 

 

International Box Office through August 25

Updated international box office chart:
by Mitch Metcalf
 

 
 

Year to Date Box Office & Worldwide Studio Scorecard

STUDIO SCORECARD. The worldwide studio rankings for 2013 to date remain the same as last week’s.  The anomalous weekly decline (down $8 million) for 20th Century Fox is a function of some downward revisions of some domes...
by Mitch Metcalf
 

 

 

Weekend Studio Estimates AUGUST 23-25: The Butler Knocks on the $100 Million Door

Based on Friday’s and Saturday’s grosses, Weekend #34 of 2013 looks like an okay $92 million for the top 12 films, up a bit from yesterday’s estimate and now up 1% from the average for this weekend the last fe...
by Mitch Metcalf
 

 
 

EARLY WEEKEND BOX OFFICE: “The Butler” Stays In Charge

  If preliminary weekend numbers at Deadline hold, THE WORLD’S END (Focus/Universal) will be a bit more frontloaded than it would have liked, slipping 10% from Friday to Saturday for $3.1M on its second day, and a bi...
by Mitch Salem
 

 

 

BEHIND THE FRIDAY BOX OFFICE – 8/23/13

  OPENINGS:  THE WORLD’S END (Focus/Universal) is off to a very solid start, with a $2250 per-theatre average on Friday in just 1549 theatres, giving it a $3.5M day and a weekend that could hit $10M.  That compares...
by Mitch Salem
 

 
 

FRIDAY AUGUST 23 Box Office Report: The Butler Disposes of Weak Opening Competition

Based on Friday’s grosses, Weekend #34 of 2013 looks like an okay $91 million for the top 12 films, even with the average for the same weekend the last few years but up from last year’s comparable weekend. Opening a...
by Mitch Metcalf
 

 

 

WEDNESDAY BOX OFFICE: “Mortal Instruments” Very Mortal Indeed

  Be sure to read Mitch Metcalf’s Weekend Box Office Predictions. Momentum was lacking for THE MORTAL INSTRUMENTS: CITY OF BONES (Screen Gems/Sony), as the studio kept the movie from critics until the last possible i...
by Mitch Salem