Posts Tagged ‘smash’
 

 

THE SKED MONDAY NETWORK SCORECARD – 4/2/12

> Not even championship basketball can dent SMASHWatch. NBC:   Perhaps the moment last night that most typified the lows SMASH has reached was the bit where Ivy popped pain pills while staring into a mirror affixed wi...
by Mitch Salem
 

 
 

The Sked: MONDAY RATINGS February 27

> FOX made the night interesting by carrying NASCAR’s Daytona 500 in prime time.  (The race was delayed by weather from its normal Sunday afternoon time.)  CBS and NBC were down from last week, although NBC rece...
by Mitch Salem
 

 

 

THE SKED’S SCHEDULE: NBC

  The broadcast networks will officially announce their schedules next week at the Upfronts in New York, but before that happens, Mitch Metcalf and I, along with veteran network executive Ted Frank, have put together our o...
by Mitch Salem
 

 
 

THE SKED: “Grimm” is No Fairy Tale

> NBC, taking its successes where it can find them, has renewed GRIMM for a second season.  The show has done solidly on Friday nights, with ratings in the mid-1s that often win the hour, so it was never in any danger of b...
by Mitch Salem
 

 

 

THE SKED’S MONDAY NETWORK SCORECARD – 2/6/12

> For one night, at least, all NBC’s dreams came true. NBC:  THE VOICE blew away its competition, especially in the 9-10PM hour.  Its 6.6 rating over 2 hours was naturally way down from Sunday night, where it ha...
by Mitch Salem
 

 
 

THE SKED’S 2012/13 FIRST CUT: NBC Needs & Possibilities

> Today Mitch Metcalf, veteran programming executive Ted Frank and I continue our week-long pre-Upfronts look at the challenges facing each of the broadcast networks and their potential strategies for next season.  We̵...
by Mitch Salem
 

 

 

THE SKED: SMASHWatch Update – Back To Even

> Don’t get too excited about that increase in SMASH‘s 18-49 rating last night, because it just vanished.  In the final Nielsen numbers, Smash came back down to the same 2.3 number it had last week.  (Cast...
by Mitch Salem
 

 
 

THE SKED SEASON FINALE REVIEW: “Smash”

  And so the curtain drops on the first season of SMASH, which may have set the all-time television speed record for going from shining beacon to punching bag.  Tonight’s season finale, written by now-deposed showru...
by Mitch Salem
 

 

 

THE SKED’S SUNDAY NETWORK SCORECARD – 3/18/12

> Fairy tales rule… but watch out for the zombies. ABC:  We won’t know for sure until later today, but odds are that the highest-rated show on TV last night was the season finale of The Walking Dead on AMC (our...
by Mitch Salem
 

 
 

The Sked: SMASH PREMIERE Minute by Minute Ratings

>The chart below displays the minute by minute Nielsen ratings for the series debut of Smash Monday at 10 pm on NBC.  The news is awful for the first 20 minutes or so, but then the premiere episode stabilized in the rating...
by Mitch Salem
 

 

 

The Sked: MONDAY RATINGS April 9

> NBC narrowly won Monday night with a weakening Voice still the highest-rated show on the night with young adults.  CBS was back with its regular schedule, all in originals.  While the 8:00-9:30 CBS schedule is on tr...
by Mitch Metcalf
 

 
 

THE SKED’S WEDNESDAY NETWORK SCORECARD – 2/29/12

> February Sweeps go out not with a bang, but with the other thing. ABC:  The first “midseason arc” episode of REVENGE looked almost exactly like all the other episodes, so it was fitting that the rating stayed...
by Mitch Salem
 

 

 

THE SKED’S MONDAY NETWORK SCORECARD – 5/14/12

    A night for departures and arrivals..   CBS:  The 1-hour season finale of HOW I MET YOUR MOTHER (which disclosed not The Mother, but Barney’s wife) was up from recent episodes at 3.6, also better than ...
by Mitch Salem
 

 
 

The Sked: MONDAY RATINGS March 19 Highlights

>Dancing with the Stars returned to ABC’s schedule with a preliminary 3.5 rating from 8-10 pm, down from a 5.3 rating for the spring premiere last year on the comparable night.  The Voice averaged a 4.5 rating with y...
by Mitch Metcalf
 

 

 

THE SKED’S PILOT + 1 REVIEW: “Smash”

> A lot can happen between the creation of a TV pilot in the spring and production of episodes for the regular season:  a writing/producing team is hired, audience focus groups weigh in, networks and studios (which may hav...
by Mitch Salem