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Behind the US/Worldwide Weekend Box Office – 1/11/15

  OPENINGS:  TAKEN 3 (Europa/20th) had a very decent 5% Saturday bump (so much for the movie’s quality affecting word of mouth), and is currently claiming a $40.4M weekend, which would make it the #2 January opening...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1.20.2019

  OPENINGS:  Despite a holiday opening and a much higher (and more costly) level of hype, GLASS (Blinding Edge/Blumhouse/Buena Vista Intl/Universal) barely squeezed past Split over the 3-day weekend, $40.6M vs. $40M.  Ev...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.9.2018

  OPENINGS:  There were no new wide openings on this pre-holiday season weekend in the US, but things were busier overseas.  AQUAMAN (DC/Warners), which won’t arrive in the US until December 21, launched in China w...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 12.8.2019

  OPENINGS:  DARK WATERS (Focus/Universal) expanded into wide release at 2012 theatres, and emerged with a mild $4.1M.  (By comparison, Focus’s previous release Harriet opened at 2059 with an $11.7M weekend.)  Its...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 3.21.2021

  OPENINGS:  With the LA movie theatre market now open (at 25% capacity) and a general rise in vaccinations, the box office seems to be taking its first very tentative steps back to pre-pandemic life.  The one wide openi...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1.14.2018

  OPENINGS:  THE POST (DreamWorks/Reliance/Participant/20th) expanded to wide release with $18.6M over 3 days (which should become $22M with Monday).  That’s a bit better than the $15.4M 3-day start for Steven Spie...
by Mitch Salem
 
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Behind the Weekend Box Office – 2/9/14

  OPENINGS:  After Cloudy With a Chance of Meatballs, 21 Jump Street, and now THE LEGO MOVIE (Warners), writer/directors Phil Lord and Christopher Miller will be able to do just about anything they want:  all 3 of their ...
by Mitch Salem
 
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Behind the Worldwide Box Office – 5/11/14

  Note:  Most of the studios are pinning extremely aggressive Sunday estimates on the hope that their movie will be a popular Mothers Day destination, so look for a potentially larger than usual set of adjustments in fina...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 1/25/15

  AMERICAN SNIPER (Village Roadshow/Warners):  Depending on how one characterizes Titanic, American Sniper is on track to become the #3 or #4 “serious drama” of all time, behind that film, The Passion of the C...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 12.27.2020

  OPENINGS:  WW84 (DC/Warners)–that’s the official title per the credits–had the biggest US opening of the pandemic era with $16.7M (a $7800 per-theatre average), much higher than the $9.7M for The Crood...
by Mitch Salem
 
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US/Worldwide Weekend Box Office Report – 10.18.2020

  OPENINGS:  We’re starting to get a feel for what this pandemic box office looks like, absent big-studio blockbusters.  This week’s HONEST THIEF (Open Road) opened at $3.7M in 2425 theatres (a weekend per-th...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5.26.2019

  OPENINGS:  ALADDIN (Disney) will probably be in the top half-dozen Memorial Day openings when Monday brings it to $105M or so (the 3-day total is $86.1M).  Compared to other Disney live-action reboots of animated hits,...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 5/10/15

  OPENINGS:  HOT PURSUIT (MGM/Warners) is looking for a very small Mother’s Day drop of 15% so that it can reach $13.3M for the weekend.  Even if it gets there, that’s a dull number, and Pursuit, which was pr...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 10.2.2022

  OPENINGS: As studio greenlight and release strategies continue to morph, one thing that’s clear is that there will never be a shortage of low-budget horror movies.  SMILE (Paramount) is the latest successful arriv...
by Mitch Salem
 
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Behind the US/Worldwide Weekend Box Office – 2/18/2018

  OPENINGS:  Disney is the land where dreams come true, but not even their wizards could have imagined the scale of BLACK PANTHER (Marvel/Disney), which has crashed through all expectations–not just as a big-budget ...
by Mitch Salem
 
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