WONDER WOMAN (RatPac/Wanda/Ten Cent/DC/Warners) is proving to be exactly what its studio–and the summer box office in general–needed.  For Warners, it’s giving the embattled DC mega-franchise its first taste of critical praise since the days of The Dark Knight, which is important in itself, and that’s paying off in ticket sales.  Preliminary numbers at […]

  This weekend’s numbers will need some examination, with plenty of spin available in all directions.  Preliminary estimates at Deadline have BOO!  A MADEA HALLOWEEN (Lionsgate) a hair ahead of JACK REACHER: NEVER GO BACK (Skydance/Huahua/Shanghai Film Group/Paramount) on Friday, $9.2M vs. $9.1M.  There are several reasons why this is a bigger win than it […]

  It’s impossible to know at this point how the unspeakable events in Newtown on Friday will affect family behavior over the weekend, and even though this tragedy, unlike the Aurora massacre in July, has no direct connection to movies or theaters, the crowds that might have attended matinees of a four-quadrant event like THE […]

  We’re in the 2-week void between Thanksgiving and the Awakening of the Force, and the low-budget KRAMPUS (Legendary/Universal) is the weekend’s only major studio arrival.  According to preliminary numbers at Deadline, it’s performing a tad beyond expectations with $6.25M on Friday.  Given the quick burn-out for horror movies, that should mean a $13-15M weekend, […]

  After last weekend’s misfired The Nutcracker and the Four Realms, THE GRINCH (Illumination/Universal) is kicking off the family holiday movie season in a bigger way.  Early numbers at Deadline have opening day at $18.3M (including $2.2M from Thursday night), which should mean a $64M weekend, plus more on Monday, since many schools are closed […]

  Combine 2 big movies aimed at perfectly divergent demos, add 3D premium ticket prices, and shake well–the recipe for a strong weekend at the boxoffice. Based on preliminary Friday numbers at Deadline, both PROMETHEUS (20th) and  MADAGASCAR 3 (DreamWorks Animation/Paramount) had $21M Fridays, but with the benefit of weekend matinee business, the latter is […]

  Although still down steeply from Fifty Shades of Grey, FIFTY SHADES FREED (Perfect World/Universal) is opening on par with the initial sequel Fifty Shades Darker.  According to preliminary numbers at Deadline, Freed earned $18.4M on its first day (including $5.6M from Thursday night), down 14% from Darker, which could translate into a $40M weekend, […]

  The weekend looks highly promising for THE CONJURING (Warners), which haunted up $3.3M in screenings that began 7PM on Thursday night.  Although other summer openings have had similar mid-$3M starts (including The Great Gatsby and World War Z), the closest analogue here is probably the $3.4M earned by low-budget The Purge in its Thursday […]