THE REVENANT (Regency/20th) is showing impressive strength in its first day of wide release, after 2 strong weeks at NY/LA arthouses.  Preliminary numbers at Deadline give it $14M+ on Friday, putting it surprisingly into 1st place and confirming that Leonardo DiCaprio is one of the few “movie stars” these days who actually sells tickets.  […]

  NOTE:  This Post Has Been Updated With Actual Studio Estimates Typically Independence Day itself is a relatively quiet day for moviegoing, because audiences have other things to do, and DESPICABLE ME 2 (Universal) fell 29% from Wednesday to a still-big $24.5M.  That was the 7th-highest Thursday box office ever (and the 2d-highest for movies […]

> The Marvel superhero audience likes to get its sleep.  Despite the fact that THE AVENGERS is expected to do record-challenging business this weekend, last night’s midnight screenings totaled $18.7M–a tremendous amount of money, to be sure, the 8th largest midnight opening of all time, but 8th place isn’t where Avengers mostly expects to be.  […]

  There was plenty of new blood at the multiplex on Friday, but much of it was being spilled, as holdovers TEENAGE MUTANT NINJA TURTLES (Paramount/Nickelodeon) and GUARDIANS OF THE GALAXY (Marvel/Disney) held back a trio of new releases.  According to preliminary numbers at Deadline, both Turtles and Guardians were in the $7M range on […]

> What was expected to be a slow weekend at the boxoffice is proving to be exactly that.  The Hollywood Reporter has preliminary numbers for Friday, and they show FOOTLOOSE in the lead with $5.5M, heading for probably $17M or so for the weekend.  THE THING is way behind, with $3.5M for Friday that may […]

  The combined box office for John Krasinski’s first two films as director, Brief Interviews With Hideous Men and The Hollars, was barely over $1M.  But overnight, Krasinski is a bankable Hollywood director thanks to A QUIET PLACE (Par), which according to preliminary numbers at Deadline took in $19M on opening day ($4.3M from Thursday […]

  PIXELS (Columbia/Sony) was marketed on its high concept rather than as an Adam Sandler star vehicle, perhaps reflecting not just Sandler’s dwindling value, but the shuttering of his long-term acting relationship with the studio as he moves to Netflix.  The result was better than some of Sandler’s recent flops, but far from exciting:  according […]

  NOTE:  THIS POST HAS BEEN UPDATED THROUGHOUT TO REFLECT OFFICIAL STUDIO ESTIMATES FOR THURSDAY. As is customary during Christmas-New Year’s week, the majority of the holiday movies stayed fairly stable on Thursday, varying only a few hundred thousand dollars from the day before.  The major exception, based on preliminary numbers at Deadline, was LES […]